
Satire on the Papacy
Melchior Lorck (d. 1588)
1555 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
337 ms. The Metropolitan Museum of Art, Collection API (Open Access)
1425 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 165 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Satire on the Papacy
Melchior Lorck (d. 1588)
1555 · Etching
Cleared · Public Domain
live
Ship (Nef)
Esias zur Linden (d. 1632)
ca. 1609–20 · Partly gilded silver
Cleared · Public Domain
live
Beaker
Paul Solanier (d. 1724)
1690–1700 · Silver gilt
Cleared · Public Domain
live
Square salver
Paul Solanier (d. 1724)
1695–1700 · Silver gilt
Cleared · Public Domain
live
Horse with groom (one of a pair)
Meissen Manufactory (d. 9999)
ca. 1753 · Hard-paste porcelain, gilt-bronze and enameled lead mounts
Cleared · Public Domain
live
Horse with groom (one of a pair)
Meissen Manufactory (d. 9999)
ca. 1753 · Hard-paste porcelain, gilt-bronze and enameled lead mounts
Cleared · Public Domain
live
Grand Fantastical Parade, New-York, December 2, 1833
David Claypoole Johnston (d. 1865)
1833 · Hand-colored lithograph
Cleared · Public Domain
live
Caricatured figure / Leading the German, from the Jokes series (N87) for Duke brand cigarettes
W. Duke, Sons & Co. (d. 1920)
1890 · Commercial color lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
All Nations, from An Overland Journey to the Great Exhibition
Richard Doyle (d. 1883)
1851 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poster for the First Darmstadt Artists’ Colony Exhibition, “A Document of German Art”
Peter Behrens (d. 1940)
1901 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dollar at 300 (recto); I Buy and Sell (verso)
George Grosz (d. 1959)
1922 · Reed pen and pen and black ink on Japan paper (recto); reed pen and black ink on Japan paper (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bavarian Royal Dream (Bayrischer Königstraum)
Karl Arnold (d. 1953)
1924 · Watercolor and gouache
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.