Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    492 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    423 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 158 matching records exist across the two collections.

Results for "Carp and Pike"12 records

Institutions answered newest-first by record, interleaved

Pike by an unrecorded maker, The Metropolitan Museum of Art

Pike

Unrecorded maker

16th century · Steel, wood (ash)

Cleared · Public Domain

live
The MetSimilar
Pike by an unrecorded maker, The Metropolitan Museum of Art

Pike

Unrecorded maker

16th century · Steel, wood

Cleared · Public Domain

live
The MetSimilar
Pike by an unrecorded maker, The Metropolitan Museum of Art

Pike

Unrecorded maker

probably 1600 · Steel, wood (ash)

Cleared · Public Domain

live
The MetSimilar
Pike by an unrecorded maker, The Metropolitan Museum of Art

Pike

Unrecorded maker

17th century · Steel, wood (ash)

Cleared · Public Domain

live
The MetSimilar
Pike by an unrecorded maker, The Metropolitan Museum of Art

Pike

Unrecorded maker

17th century · Steel, wood (ash)

Cleared · Public Domain

live
The MetSimilar
Pike by an unrecorded maker, The Metropolitan Museum of Art

Pike

Unrecorded maker

17th century · Steel, wood (ash), iron, copper

Cleared · Public Domain

live
The MetSimilar
Pike by an unrecorded maker, The Metropolitan Museum of Art

Pike

Unrecorded maker

ca. 1700 · Steel, wood (pine), brass

Cleared · Public Domain

live
The MetSimilar
Carp and Pine by Yashima Gakutei, The Metropolitan Museum of Art

Carp and Pine

Yashima Gakutei (d. 1868)

1868 · Woodblock print (surimono); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Bass Drum by John G. Pike, The Metropolitan Museum of Art

Bass Drum

John G. Pike (d. 1884)

1860–80 · Wood, parchment, leather, metal

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Carp

Kuroda Toko (d. 1847)

early 19th century · Hanging scroll; ink and color on silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Carp and Pike

Henry Bailey

1860s · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Little Frank and His Carp

Andrea Fraser (d. 9999)

2001 · Single-channel video, color, sound, 6 min.

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.