
Relief panel
Unrecorded maker
ca. 883–859 BCE · Gypsum alabaster
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
3283 ms. The Metropolitan Museum of Art, Collection API (Open Access)
646 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Relief panel
Unrecorded maker
ca. 883–859 BCE · Gypsum alabaster
Cleared · Public Domain
live
"Mihrdukht Aims her Arrow at the Ring," Folio from the Hamzanama (The Adventures of Hamza)
Unrecorded maker
ca. 1570 · Opaque color and gold on cotton cloth
Cleared · Public Domain
live
Carpet with Tree and Bird Design
Unrecorded maker
late 16th century · Cotton (warp and weft), wool (weft and pile); asymmetrically knotted pile
Cleared · Public Domain
live
Carpet with Palm Trees, Ibexes, and Birds
Unrecorded maker
late 16th–early 17th century · Cotton (warp and weft), wool (pile); asymmetrically knotted pile
Cleared · Public Domain
live
The Concert from a set of Tapestries "After the Indian Manner"
John Vanderbank (d. 1717)
After 1690 · Wool, silk (19-20 warps per inch, 7-8 per cm.)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with a Black-And-White Tribal Pattern with Semi-Abstract Glitched Bird Heads and Pyramids
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with a Red and White Pattern of Abstract Bird Heads
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Body mask
Asmat artist(s)
mid-20th century · Mulberry fiber, rattan, sago palm leaves, wood, bamboo, cassowary bone, cassowary feathers, feathers, coix seeds, pigment
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.