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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    952 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    285 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,650 matching records exist across the two collections.

Results for "Carpet with Quatrefoil Design"12 records

Institutions answered newest-first by record, interleaved

Carpet with a Compartment Design by an unrecorded maker, The Metropolitan Museum of Art

Carpet with a Compartment Design

Unrecorded maker

first half 16th century · Silk (warp and weft), wool (pile); asymmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Carpet with Triple-Arch Design by an unrecorded maker, The Metropolitan Museum of Art

Carpet with Triple-Arch Design

Unrecorded maker

ca. 1575–90 · Silk (warp and weft), wool (pile), cotton (pile); asymmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Hanging with a Medallion Carpet Design by an unrecorded maker, The Metropolitan Museum of Art

Hanging with a Medallion Carpet Design

Unrecorded maker

1628–58 · Silk; cut velvet

Cleared · Public Domain

live
The MetSimilar
Fragment of a Carpet with Quatrefoil Design by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Carpet with Quatrefoil Design

Unrecorded maker

16th–17th century · Wool (warp, weft, and pile); symmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Carpet by Thomas Whitty, The Metropolitan Museum of Art

Carpet

Thomas Whitty (d. 1792)

ca. 1765 · Wool; knotted pile

Cleared · Public Domain

live
The MetSimilar
Carpet with a Geometricized Medallion Design by an unrecorded maker, The Metropolitan Museum of Art

Carpet with a Geometricized Medallion Design

Unrecorded maker

18th century · Wool (warp, weft and pile); symmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Carpet with Geometricized Floral Design by an unrecorded maker, The Metropolitan Museum of Art

Carpet with Geometricized Floral Design

Unrecorded maker

late 18th century · Wool (warp, weft, and pile); symmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Carpet with Quatrefoil Design by an unrecorded maker, The Metropolitan Museum of Art

Carpet with Quatrefoil Design

Unrecorded maker

probably 18th century · Wool (warp, weft, and pile); symmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Carpet with Quatrefoil Design by an unrecorded maker, The Metropolitan Museum of Art

Carpet with Quatrefoil Design

Unrecorded maker

late 18th–early 19th century · Wool (warp, weft, and pile); symmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Carpet with a Geometricized Medallion Design by an unrecorded maker, The Metropolitan Museum of Art

Carpet with a Geometricized Medallion Design

Unrecorded maker

late 19th century · Wool (warp, weft); sumak

Cleared · Public Domain

live
The MetSimilar
Carpet with Triple Lozenge-Medallion Design by an unrecorded maker, The Metropolitan Museum of Art

Carpet with Triple Lozenge-Medallion Design

Unrecorded maker

late 19th century · Wool (warp, weft and pile); symmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tribal Carpet with Medallion Design

Unrecorded maker

19th century · Wool (warp, weft, and pile); symmetrically knotted pile

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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