
Cartouche (verso)
Lievin Cruyl (d. 1720)
1664 · Drawing, graphite
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
331 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 8 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cartouche (verso)
Lievin Cruyl (d. 1720)
1664 · Drawing, graphite
Cleared · CC0
live
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
Lievin Cruyl (d. 1720)
1664 · Drawing, pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink
Cleared · CC0
live
Saint Deicolus and the Boar
Johann Wolfgang Baumgartner (d. 1761)
1747–48 · Drawing, pen and brown and gray inks and brush and gray wash heightened with white gouache; incised, verso coated with red chalk
Cleared · CC0
live
Qur'an Manuscript Folio (Verso); Right folio of Double-Page Illuminated Frontispiece
Unrecorded maker
1500s · Manuscript, ink, gold, and colors on paper
Cleared · CC0
live
Qur'an Manuscript Folio (verso); Text Page
Unrecorded maker
1500s · Manuscript, ink, gold, and colors on paper
Cleared · CC0
live
Portrait of Frederick de Vries and His Dog
Hendrick Goltzius (d. 1617)
1597 · Print, engraving
Cleared · CC0
live![Madame de Maintenon Returning to the Catholic Church [2] by Charles Dominique Joseph Eisen, The Cleveland Museum of Art](https://openaccess-cdn.clevelandart.org/2010.288/2010.288_web.jpg)
Madame de Maintenon Returning to the Catholic Church [2]
Charles Dominique Joseph Eisen (d. 1778)
1700s · Drawing, black chalk and brown wash, heightened extensively with white (gouache) and graphite
Cleared · CC0
live![Madame de Maintenon Returning to the Catholic Church [1] by Charles Dominique Joseph Eisen, The Cleveland Museum of Art](https://openaccess-cdn.clevelandart.org/2010.292/2010.292_web.jpg)
Madame de Maintenon Returning to the Catholic Church [1]
Charles Dominique Joseph Eisen (d. 1778)
1700s · Drawing, black chalk and brown wash, heightened extensively with white (gouache) with graphite
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.