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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    448 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    309 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4,320 matching records exist across the two collections.

Results for "Cartouche fragment from a frame"12 records

Institutions answered newest-first by record, interleaved

Fragment from a door by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a door

Unrecorded maker

ca. 2150–1981 B.C. · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Fragment of a Tiraz by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Tiraz

Unrecorded maker

1058–60 · Textile, Linen and silk: tapestry (originally inwoven in a tabby ground)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment from a tomb door by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a tomb door

Unrecorded maker

ca. 2150–1981 B.C. · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Fragment from a tomb door by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a tomb door

Unrecorded maker

ca. 2150–1981 B.C. · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Fragment from a tomb door by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a tomb door

Unrecorded maker

ca. 2150–1981 B.C. · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Fragment from a tomb door by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a tomb door

Unrecorded maker

ca. 2150–1981 B.C. · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Fragment from a tomb door by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a tomb door

Unrecorded maker

ca. 2150–1981 B.C. · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Fragment from a tomb door by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a tomb door

Unrecorded maker

ca. 2150–1981 B.C. · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Frame Fragment from a Model Bed by an unrecorded maker, The Metropolitan Museum of Art

Frame Fragment from a Model Bed

Unrecorded maker

ca. 1550–1300 BCE · Wood

Cleared · Public Domain

live
The MetSimilar
Window Frame Fragment by an unrecorded maker, The Metropolitan Museum of Art

Window Frame Fragment

Unrecorded maker

8th–13th century · Plaster; molded

Cleared · Public Domain

live
The MetSimilar
Fragment of a Carpet with Cartouche Border by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Carpet with Cartouche Border

Unrecorded maker

late 16th century · Silk (warp and weft), wool (pile); asymmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Cartouche fragment from a frame by an unrecorded maker, The Metropolitan Museum of Art

Cartouche fragment from a frame

Unrecorded maker

18th century · Wood

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.