
Scarab Inscribed With the Throne Name of Thutmose IV
Unrecorded maker
ca. 1396–1386 BCE · Steatite (glazed)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2357 ms. The Metropolitan Museum of Art, Collection API (Open Access)
586 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 146 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Scarab Inscribed With the Throne Name of Thutmose IV
Unrecorded maker
ca. 1396–1386 BCE · Steatite (glazed)
Cleared · Public Domain
live
Openwork furniture plaque with a falcon-headed figure in a papyrus thicket
Unrecorded maker
ca. 9th–8th century BCE · Ivory
Cleared · Public Domain
live
Statue of a Ptolemaic Queen, perhaps Cleopatra VII
Unrecorded maker
ca. 200–30 BCE · Dolomitic limestone
Cleared · Public Domain
live
Title Plate with Two Pendant Designs Above and Neptune Standing on a Cartouche Below
Adriaen Collaert (d. 1618)
1582 · Engraving; second state of four (New Hollstein)
Cleared · Public Domain
live
Summer, a woman, crowned with corn, standing in a cornfield with corn in her right hand and a scythe in her left hand, within a cartouche topped with corn, from "The Four Seasons" (Les Quatre Saisons)
Stefano della Bella (d. 1664)
ca. 1638–43 · Etching
Cleared · Public Domain
live
The Kitchen of a Joroya.
Hishikawa Moronobu (d. 1694)
ca. 1680 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Pot
Unrecorded maker
18th century · Iron
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rectangular, standing cartouche with mask at bottom center, plate 3, from Reverse copies of Variarum Protractionum
Hans Vredeman de Vries (d. 1606)
1572 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Small standing cartouche with a mask with open mouth and beard at bottom center, plate 6, from Reverse copies of Variarum Protractionum
Hans Vredeman de Vries (d. 1606)
1572 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cartouche with a cook standing in pots at center and two satyrs supporting the cartouche below, from Strapwork Cartouches with Grotesques, plate 19
Hans Vredeman de Vries (d. 1606)
ca. 1555–70 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Decorated cartouche (Cartouche decoré)
Pierre Edmé Babel (d. 1775)
ca. 1740–60 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Studio Portrait: Cook and Three Children with Pasta, Naples]
Giorgio Conrad (d. 1889)
1860s–70s · Albumen silver print with applied color
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.