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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    309 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Carved door"9 records

Institutions answered newest-first by record, interleaved

Door and Frame by an unrecorded maker, The Cleveland Museum of Art

Door and Frame

Unrecorded maker

late 1400s · Furniture and woodwork, oak with traces of polychromy

Cleared · CC0

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Cleveland Museum of ArtSimilar
Door Knocker from the Isaac Gillet House, Painesville, Ohio by Jonathan Goldsmith, The Cleveland Museum of Art

Door Knocker from the Isaac Gillet House, Painesville, Ohio

Jonathan Goldsmith (d. 1847)

c. 1840 · Metalwork, brass

Cleared · CC0

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Cleveland Museum of ArtSimilar
Stele of Shemai by an unrecorded maker, The Cleveland Museum of Art

Stele of Shemai

Unrecorded maker

c. 1960–1916 BCE · Funerary Equipment, painted limestone

Cleared · CC0

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Cleveland Museum of ArtSimilar
Julius Caesar by Mino da Fiesole, The Cleveland Museum of Art

Julius Caesar

Mino da Fiesole (d. 1484)

c. 1455–60 · Sculpture, marble with traces of bole (red clay) and limestone with traces of paint

Cleared · CC0

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Cleveland Museum of ArtSimilar
The parrot addresses Khujasta at the beginning of the forty-second night, from a Tuti-nama (Tales of a Parrot) by an unrecorded maker, The Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the forty-second night, from a Tuti-nama (Tales of a Parrot)

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Pheasants in Cherry by Seifū Yohei III, The Cleveland Museum of Art

Pheasants in Cherry

Seifū Yohei III (d. 1914)

1900–1914 · Ceramic, Porcelain with molded and carved design, underglaze color, and cream glaze

Cleared · CC0

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Cleveland Museum of ArtSimilar
Prince Shōtoku at Age Two (Shōtoku Taishi) by an unrecorded maker, The Cleveland Museum of Art

Prince Shōtoku at Age Two (Shōtoku Taishi)

Unrecorded maker

early 1300s · Sculpture, Wood with lacquer, color, and rock-crystal inlaid eyes

Cleared · CC0

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Cleveland Museum of ArtSimilar
Domestic Shrine by an unrecorded maker, The Cleveland Museum of Art

Domestic Shrine

Unrecorded maker

c. 1479–1425 BCE · Sculpture, limestone, originally painted

Cleared · CC0

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Cleveland Museum of ArtSimilar
Overdoor Decoration by Grinling Gibbons, The Cleveland Museum of Art

Overdoor Decoration

Grinling Gibbons (d. 1721)

c. 1675–1677 · Sculpture, limewood

Cleared · CC0

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Cleveland Museum of ArtSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.