
Pendant mask of Ìyọ́bà Idià
Ìgbèsànmwà (ivory- and wood- carving guild) artists
16th century · Ivory, iron, brass, coal, traces of iron oxides
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
730 ms. The Metropolitan Museum of Art, Collection API (Open Access)
415 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 129 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Pendant mask of Ìyọ́bà Idià
Ìgbèsànmwà (ivory- and wood- carving guild) artists
16th century · Ivory, iron, brass, coal, traces of iron oxides
Cleared · Public Domain
live
Lamentation Beneath the Cross
Adam Lenckhart (d. 1661)
1632 · Ivory
Cleared · Public Domain
live
Bodhisattva Guanyin
Unrecorded maker
datable to1678 · Sandalwood with lacquer and gilding, single-woodblock construction
Cleared · Public Domain
live
Pietà with Sorrowing Angels
Mattheus van Beveren (d. 1690)
17th century · Boxwood; base: wood, ebony, tortoiseshell and ivory or bone
Cleared · Public Domain
live
Side chair (chais à la reine) (one of a pair)
Georges Jacob (d. 1814)
1784 · Carved and gilded walnut; pink silk moiré damask (not original)
Cleared · Public Domain
live
Side chair (chais à la reine) (one of a pair)
Georges Jacob (d. 1814)
1784 · Carved and gilded walnut; pink silk moiré damask (not original)
Cleared · Public Domain
live
The Rakan Handaka Sonja with Dragon
Utagawa Hiroshige (d. 1858)
1820 ( year of the dragon) · Woodblock print; surimono print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Armchair
Louis C. Tiffany (d. 1933)
ca. 1893 · Prima vera, American ash (secondary wood); marquetry of various woods and brass; replacement upholstery
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Carving One of Our Watermelons
William H. Martin (d. 1940)
1909 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase
Grueby Faience Company (d. 1911)
ca. 1900–9 · Earthenware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase
Annie V. Lingley
ca. 1899–1910 · Earthenware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Model)
Robert Smithson (d. 1973)
1967 · Fiberboard, polystyrene (PS) and alkyd paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.