
Valance
Unrecorded maker
1580–1610 · Canvas worked with wool and silk thread; tent and satin stitches
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
260 ms. The Metropolitan Museum of Art, Collection API (Open Access)
359 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 36 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Valance
Unrecorded maker
1580–1610 · Canvas worked with wool and silk thread; tent and satin stitches
Cleared · Public Domain
live
Study of a Girl in Red
Benedetto Luti (d. 1724)
1717 · Pastel and chalk on blue laid paper, laid down on paste paper
Cleared · Public Domain
live
The Stay-Maker
Joseph Haynes (d. 1829)
February 1, 1782 · Etching
Cleared · Public Domain
live
Transplanting of Teeth
Thomas Rowlandson (d. 1827)
1787 · Hand-colored etching and aquatint; early state
Cleared · Public Domain
live
Patch box depicting Master Betty
Peltro William Tomkins (d. 1840)
ca. 1804 · Enamel on copper; mirror glass
Cleared · Public Domain
live
Love
Simeon Solomon (d. 1905)
1858 · Graphite, pen and brown ink, brush and brown wash
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Caryatid Mirror Depicting a Young Girl
Unrecorded maker
ca. 1300–1080 BCE · Leaded bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Transplanting of Teeth
Thomas Rowlandson (d. 1827)
1787 · Hand-colored etching and aquatint; early state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Egyptian Mirror
Sir David Young Cameron (d. 1945)
1909 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
My Little Lady of Luxor
Sir David Young Cameron (d. 1945)
1909 · Etching and drypoint; fifth state of five
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Girl and Parrot (Ōmu to shōjo)
Kamiya Kokei (d. 1943)
1927 · Hanging scroll; ink, color, and gofun (shell white) on silk
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.