
Catafalque for Cardinal Alessandro Farnese, from "Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura"
Girolamo Rainaldi (d. 1655)
1589 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
949 ms. The Metropolitan Museum of Art, Collection API (Open Access)
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 368 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Catafalque for Cardinal Alessandro Farnese, from "Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura"
Girolamo Rainaldi (d. 1655)
1589 · Engraving
Cleared · Public Domain
live
Design for a Tomb for a Cardinal
Anonymous, French, 16th century (d. 1600)
16th century · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Catafalque for Cardinal Pietro Aldobrandini in Santa Maria sopra Minerva, Rome, from "Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura"
Domenico Parasacchi (d. 1650)
1621 · Engraving
Cleared · Public Domain
live
Design for the Catafalque of a Prince
Pier Francesco Battistelli (d. 1625)
ca. 1610–25 · Pen and brown ink, brush and brown wash, over black chalk incised by the engraver
Cleared · Public Domain
live
Catafalque for Isabella Clara
Cornelis Galle I (d. 1650)
1634 · Etching
Cleared · Public Domain
live
Catafalque for a Cardinal
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
live
Elevation for a Catafalque Surmounted by an Obelisk
Giuseppe Galli Bibiena (d. 1756)
1696–1756 · Pen and gray ink, brush and gray wash
Cleared · Public Domain
live
Ground Plan for a Catafalque
Giuseppe Galli Bibiena (d. 1756)
1696–1756 · Pen and brown ink, brush and gray wash
Cleared · Public Domain
live
Ground Plan for a Catafalque for a Prince of Lorraine
Giuseppe Galli Bibiena (d. 1756)
1696–1756 · Pen, brown ink and gray wash over black chalk
Cleared · Public Domain
live
Design for a Catafalque
Anonymous, Italian, 18th century (d. 1800)
18th century · Brown ink and wash
Cleared · Public Domain
live
Design for a Catafalque or a Tomb Monument
Anonymous, Italian, 18th century (d. 1800)
18th century · Wash over black chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Festa Fatta in Roma, alli 25. di Febraio MDCXXXIV
Cardinal Guido Bentivoglio (d. 1644)
1634 · Printed book with etched plates, historiated woodcut initials, headpieces
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.