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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    390 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    317 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 100 matching records exist across the two collections.

Results for "Catherine Greene"12 records

Institutions answered newest-first by record, interleaved

Stole with the Martyrdom of St. Catherine by an unrecorded maker, The Metropolitan Museum of Art

Stole with the Martyrdom of St. Catherine

Unrecorded maker

ca. 1200 · Silk with linen underlay

Cleared · Public Domain

live
The MetSimilar
Catherine Greene by John Singleton Copley, The Cleveland Museum of Art

Catherine Greene

John Singleton Copley (d. 1815)

1769 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Saint Catherine of Siena Beseeching Christ to Resuscitate Her Mother by Giovanni di Paolo (Giovanni di Paolo di Grazia), The Metropolitan Museum of Art

Saint Catherine of Siena Beseeching Christ to Resuscitate Her Mother

Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)

ca. 1447–65 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of Catherine Clemens and Her Son, John Marcus Clemens by Richard Cosway, The Cleveland Museum of Art

Portrait of Catherine Clemens and Her Son, John Marcus Clemens

Richard Cosway (d. 1821)

c. 1800 · Portrait Miniature, watercolor on ivory in a gold and split pearl frame

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Saint Catherine of Siena Receiving the Stigmata by Giovanni di Paolo (Giovanni di Paolo di Grazia), The Metropolitan Museum of Art

Saint Catherine of Siena Receiving the Stigmata

Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)

ca. 1447–65 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Catherine Bunbury by James Watson, The Cleveland Museum of Art

Catherine Bunbury

James Watson (d. 1790)

1778 · Print, mezzotint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
"Les Perdrix" (The Partridges) by Philippe de Lasalle, The Metropolitan Museum of Art

"Les Perdrix" (The Partridges)

Philippe de Lasalle (d. 1804)

1771–72 · Silk

Cleared · Public Domain

live
The MetSimilar
Portrait of Arthur Wellesley, later 1st Duke of Wellington by John Wright, The Cleveland Museum of Art

Portrait of Arthur Wellesley, later 1st Duke of Wellington

John Wright (d. 1820)

c. 1806–7 · Portrait Miniature, watercolor on ivory in a gilt wood frame

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mrs. James Lowndes (Catherine Osborn) by Edward Greene Malbone, The Metropolitan Museum of Art

Mrs. James Lowndes (Catherine Osborn)

Edward Greene Malbone (d. 1807)

1801 · Watercolor on ivory

Cleared · Public Domain

live
The MetSimilar
Mrs. Phineas Miller (Catherine Littlefield) by Joseph-Pierre Picot de Limoelan de Cloriviere, The Metropolitan Museum of Art

Mrs. Phineas Miller (Catherine Littlefield)

Joseph-Pierre Picot de Limoelan de Cloriviere (d. 1826)

1806 · Watercolor on ivory

Cleared · Public Domain

live
The MetSimilar
Sampler by Catherine Cassady, The Metropolitan Museum of Art

Sampler

Catherine Cassady (d. 1827)

1814 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Badge of the Order of Saint Catherine by an unrecorded maker, The Metropolitan Museum of Art

Badge of the Order of Saint Catherine

Unrecorded maker

late 18th–early 19th century · Gold, diamonds, enamel

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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