
Catherine of Braganza
Wenceslaus Hollar (d. 1677)
1661 · Etching; first state of four (NH)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1532 ms. The Metropolitan Museum of Art, Collection API (Open Access)
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,621 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Catherine of Braganza
Wenceslaus Hollar (d. 1677)
1661 · Etching; first state of four (NH)
Cleared · Public Domain
live
Catherine, Princess of Portugal
Wenceslaus Hollar (d. 1677)
[1661] later reproduction · Etching
Cleared · Public Domain
live
Catherine of Braganza
William Faithorne the Elder (d. 1691)
1662 · Engraving; second state of three
Cleared · Public Domain
live
Don Quixote Tilting at Windmills, from “Don Quixote in Grotesques”
Unknown Designer
ca. 1674–76 · Wool, silk and precious metal-wrapped threads
Cleared · Public Domain
live
Panel from a table carpet showing the Four Continents, the Seasons, and Four Planets
Unrecorded maker
between 1662 and 1680 · Linen and silk satin, embroidered with silk and wool, passementerie of silk thread, silk-wrapped parchment, and metal
Cleared · Public Domain
live
King Charles II and Catherine of Braganza with allegories of the four continents
Unrecorded maker
after 1662 · Glass beads on silk with wire framework
Cleared · Public Domain
live
Joseph Carreras
John Faber, the Younger (d. 1756)
1735 · Mezzotint
Cleared · Public Domain
live
Snuffbox
Catherine Kedjeström (d. 1773)
ca. 1770 · Gold
Cleared · Public Domain
live
Sampler
Catherine Cassady (d. 1827)
1814 · Silk embroidery on linen
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tomb of Prince Theodosio de Braganza
Wenceslaus Hollar (d. 1677)
1653 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Catharina D:G: Mag: Brit: Fra: et Hib: Regina Filia Joannis IIII Reg: Portug: &c.
Anonymous, British, 17th century (d. 1700)
1680–88 · Mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Queen Doeger [dowager]
Isaac Beckett (d. 1719)
1680–88 · Mezzotint; only state
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.