Cavalry Charge
Francesco Allegrini (d. 1679)
1624–63 · Pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
3078 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 74 matching records exist across the two collections.
Results for "Cavalry Charge"12 records
Institutions answered newest-first by record, interleaved
How the French King made war on the King of Feuereisen in his realm and how the King of Feuereisen died in the battle
Hans Burgkmair (d. 1531)
1512–16 · Print, woodcut
Cleared · CC0
liveCleveland Museum of ArtSimilar
Cavalry Charge
Francesco Allegrini (d. 1679)
1624–63 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
liveThe MetSimilar
Cavalry Charge
Auguste Raffet (d. 1860)
c. 1840 · Drawing, black, red, yellow, blue and white chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Cavalry advancing to the charge, with a central figure on horseback raising a sword
Arthur Pond (d. 1758)
1735 · Etching and woodcut
Cleared · Public Domain
liveThe MetSimilar
Specimens of Polyautography: Cavalry Charge
Robert Kerr Porter (d. 1842)
1803 · Print, lithograph
Cleared · CC0
liveCleveland Museum of ArtSimilar
King George II
Vauxhall (d. 1768)
ca. 1760 · Soft-paste porcelain
Cleared · Public Domain
liveThe MetSimilar
The War for the Union, 1862 - A Cavalry Charge
Winslow Homer (d. 1910)
1862 · Print, wood engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
Cavalry Charge
Francesco Casanova (d. 1803)
mid to late 18th century · Etching
Cleared · Public Domain
liveThe MetSimilar
Pikeman’s Armor
Unrecorded maker
c. 1620–30 · Arms and Armor, steel with brass rivets and black paint
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Battle Scene with a Cavalry Charge, from 'Battle Scenes I'
Antonio Tempesta (d. 1630)
1605–21 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cavalry Charge with Soldiers and Horses Trampled, from 'Battle Scenes I'
Antonio Tempesta (d. 1630)
1605–21 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.