
Vue de Lebanon
Charlotte Bonaparte (d. 1839)
1824 · Lithograph
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
119 ms. The Metropolitan Museum of Art, Collection API (Open Access)
13 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 272 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Vue de Lebanon
Charlotte Bonaparte (d. 1839)
1824 · Lithograph
Cleared · Public Domain
live
Cedars of Lebanon
Antoine-Alphonse Montfort (d. 1884)
1837 · Oil on paper, laid down on canvas
Cleared · Public Domain
live
The Largest of the Cedars, Mount Lebannon
Francis Frith (d. 1898)
1857 · Albumen silver print from glass negative
Cleared · Public Domain
live
Cedars of Lebanon
Francis Frith (d. 1898)
ca. 1857 · Albumen silver print from glass negative
Cleared · Public Domain
live
Distant View of the Cedars of Lebanon
Francis Frith (d. 1898)
ca. 1857 · Albumen silver print from glass negative
Cleared · Public Domain
live
Cedars of Lebanon
Unknown
1870s · Albumen silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cedars of Lebanon, from The Park and the Forest
James Duffield Harding (d. 1863)
1841 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cedars by Moonlight
James David Smillie (d. 1909)
1878 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Sarrazin" Textile
Emile-Jacques Ruhlmann (d. 1933)
ca. 1917 · Printed linen
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Sarrazin" Wallpaper
Emile-Jacques Ruhlmann (d. 1933)
ca. 1917 · Relief print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Cedars, New Mexico
George Elbert Burr (d. 1939)
ca. 1900–22 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Cedars
Arthur B. Davies (d. 1928)
1928 · Pastel and charcoal on gray Japanese paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.