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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    389 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    283 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 17 matching records exist across the two collections.

Results for "Centaur Carrying Off a Nymph"12 records

Institutions answered newest-first by record, interleaved

Terracotta column-krater (vase for mixing wine and water) by Boreas Painter, The Metropolitan Museum of Art

Terracotta column-krater (vase for mixing wine and water)

Boreas Painter

ca. 460 BCE · Terracotta

Cleared · Public Domain

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The MetSimilar
Terracotta oil lamp by an unrecorded maker, The Metropolitan Museum of Art

Terracotta oil lamp

Unrecorded maker

1st century CE · Terracotta

Cleared · Public Domain

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The MetSimilar
Bacchanal with Silenus by Andrea Mantegna, The Metropolitan Museum of Art

Bacchanal with Silenus

Andrea Mantegna (d. 1506)

before 1475 · Engraving with drypoint

Cleared · Public Domain

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The MetSimilar
Quatriregio (Four Realms) by Federico Frezzi, The Metropolitan Museum of Art

Quatriregio (Four Realms)

Federico Frezzi (d. 1416)

July 26, 1508 · Printed book with woodcut illustration

Cleared · Public Domain

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The MetSimilar
A Triton Carrying off a Nymph, from "Speculum Romanae Magnificentiae" by Marco Dente, The Metropolitan Museum of Art

A Triton Carrying off a Nymph, from "Speculum Romanae Magnificentiae"

Marco Dente (d. 1527)

16th century · Engraving

Cleared · Public Domain

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The MetSimilar
Opera Nova Universali intitulata Corona di racammi, page 10 (verso) by Giovanni Andrea Vavassore, The Metropolitan Museum of Art

Opera Nova Universali intitulata Corona di racammi, page 10 (verso)

Giovanni Andrea Vavassore (d. 1573)

[1530] · Woodcut

Cleared · Public Domain

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The MetSimilar
Esemplario di Lauori..., page 9 (verso) by Giovanni Andrea Vavassore, The Metropolitan Museum of Art

Esemplario di Lauori..., page 9 (verso)

Giovanni Andrea Vavassore (d. 1573)

August 1, 1532 · Woodcut

Cleared · Public Domain

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The MetSimilar
The Abduction of Deianira by William Hamilton, The Metropolitan Museum of Art

The Abduction of Deianira

William Hamilton (d. 1801)

1770–80 · Pen and black ink over graphite, with watercolor

Cleared · Public Domain

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The MetSimilar
Centaur Carrying Off a Nymph by Giovanni Domenico Tiepolo, The Metropolitan Museum of Art

Centaur Carrying Off a Nymph

Giovanni Domenico Tiepolo (d. 1804)

mid-18th–late 18th century · Pen and brown ink, light brown and gray-brown wash

Cleared · Public Domain

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The MetSimilar
Amorini Celebrate the Rape of Proserpina by Francesco Rosaspina, The Metropolitan Museum of Art

Amorini Celebrate the Rape of Proserpina

Francesco Rosaspina (d. 1841)

1805–12 · Engraving and etching

Cleared · Public Domain

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The MetSimilar
Nessus Abducting Dejanira by Bertel Thorvaldsen, The Metropolitan Museum of Art

Nessus Abducting Dejanira

Bertel Thorvaldsen (d. 1844)

modeled 1814–15, carved 1821–23 or 1826 · Marble

Cleared · Public Domain

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The MetSimilar
Writing Box by Italian (Manifattura di Signa, Florence?), The Metropolitan Museum of Art

Writing Box

Italian (Manifattura di Signa, Florence?)

ca. 1900 · Copper alloy with reddish brown patina and areas of a worn black patina on top.

Cleared · Public Domain

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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