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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    965 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    267 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 12,717 matching records exist across the two collections.

Results for "Central Portion of a Tabernacle"12 records

Institutions answered newest-first by record, interleaved

Upper Portion of a Stela by an unrecorded maker, The Metropolitan Museum of Art

Upper Portion of a Stela

Unrecorded maker

ca. 1386–1347 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Central Portion from a Triptych with the Crucifixion and Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Central Portion from a Triptych with the Crucifixion and Virgin and Child

Unrecorded maker

ca. 1250–80 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Central Portion of a Tabernacle by an unrecorded maker, The Metropolitan Museum of Art

Central Portion of a Tabernacle

Unrecorded maker

ca. 1275–1300 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Diptych with tabernacle frames by an unrecorded maker, The Metropolitan Museum of Art

Diptych with tabernacle frames

Unrecorded maker

ca. 1400–1410 · Poplar. Carved, gilt; red-orange bole.

Cleared · Public Domain

live
The MetSimilar
Tabernacle frame by an unrecorded maker, The Metropolitan Museum of Art

Tabernacle frame

Unrecorded maker

ca. 1406 · Spruce. Gilt; orange bole.

Cleared · Public Domain

live
The MetSimilar
Architecturally-Shaped Tabernacle with a Saint and Four Putti by Anonymous, The Metropolitan Museum of Art

Architecturally-Shaped Tabernacle with a Saint and Four Putti

Anonymous

ca. 1530–49 · Etching with gray wash

Cleared · Public Domain

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The MetSimilar
Title plate from "The Masquerades" by Jacques de Gheyn II, The Metropolitan Museum of Art

Title plate from "The Masquerades"

Jacques de Gheyn II (d. 1629)

1595–96 · Engraving; first state of three

Cleared · Public Domain

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The MetSimilar
Design for a Tabernacle, plate 2 from "Tabernacle" by Franz Xavier Habermann, The Metropolitan Museum of Art

Design for a Tabernacle, plate 2 from "Tabernacle"

Franz Xavier Habermann (d. 1796)

printed ca. 1750–56 · Etching

Cleared · Public Domain

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The MetSimilar
Design for a Tabernacle, plate 3 from "Tabernacle" by Franz Xavier Habermann, The Metropolitan Museum of Art

Design for a Tabernacle, plate 3 from "Tabernacle"

Franz Xavier Habermann (d. 1796)

printed ca. 1750–56 · Etching

Cleared · Public Domain

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The MetSimilar
Design for a Tabernacle, plate 4 from "Tabernacle" by Franz Xavier Habermann, The Metropolitan Museum of Art

Design for a Tabernacle, plate 4 from "Tabernacle"

Franz Xavier Habermann (d. 1796)

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
The Broadway Tabernacle, New York, in Anniversary Week by Snyder, Black & Sturn, The Metropolitan Museum of Art

The Broadway Tabernacle, New York, in Anniversary Week

Snyder, Black & Sturn (d. 1900)

ca. 1856 · Lithograph

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Broadway Tabernacle in Anniversary Week

Snyder, Black & Sturn (d. 1900)

ca. 1856 · Lithograph with tint stone

In copyright

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The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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