Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    192 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    274 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Cephalus and Aurora (Cephalum amore perd"12 records

Institutions answered newest-first by record, interleaved

Plate 69: Cephalus and Aurora (Cephalum amore perditißimo prosequitar Aurora), from Ovid's 'Metamorphoses' by Antonio Tempesta, The Metropolitan Museum of Art

Plate 69: Cephalus and Aurora (Cephalum amore perditißimo prosequitar Aurora), from Ovid's 'Metamorphoses'

Antonio Tempesta (d. 1630)

1606 · Etching

Cleared · Public Domain

live
The MetSimilar
Aurora and Cephalus: Engraver's study after decoration in the Galleria Farnese, Rome by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Aurora and Cephalus: Engraver's study after decoration in the Galleria Farnese, Rome

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash, on light brown paper; framing line in brown ink along bottom edge

Cleared · Public Domain

live
The MetSimilar
Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso) by Lorenzo de' Ferrari, The Metropolitan Museum of Art

Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso)

Lorenzo de' Ferrari (d. 1744)

1680–1744 · Pen and brown ink, brush and brown wash, heightened with white, on blue-gray paper (recto); pen and brown ink, brush and brown wash, heightened with white, over black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Aurora and Cephalus by François Boucher, The Metropolitan Museum of Art

Aurora and Cephalus

François Boucher (d. 1770)

mid-18th century · Red chalk over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Vignette (Tome I.er, page 164, lib. II, fab. 15), depicting Cephalus and Aurora, from "Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi" by Augustin de Saint-Aubin, The Metropolitan Museum of Art

Vignette (Tome I.er, page 164, lib. II, fab. 15), depicting Cephalus and Aurora, from "Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi"

Augustin de Saint-Aubin (d. 1807)

ca. 1765 · Etching and engraving; third state of four (Bocher)

Cleared · Public Domain

live
The MetSimilar
Allegories of Air (Cephalus and Aurora) and Earth (Vertumnus and Pomona) by Jacques Germain Soufflot, The Metropolitan Museum of Art

Allegories of Air (Cephalus and Aurora) and Earth (Vertumnus and Pomona)

Jacques Germain Soufflot (d. 1780)

designed 1758–67, woven 1764–71 · Wool, silk (22-24 warps per inch, 9-10 per cm)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cephalus and Aurora (Cephalum amore perditißimo prosequitur Aurora), plate 69 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)

Antonio Tempesta (d. 1630)

Published after 1606 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cephalus and Aurora, from "Les Metamorphoses d'Ovide..."

Vincent Marie Langlois, le Jeune (d. 1856)

1807 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cephalus and Aurora, from "Les Metamorphoses d'Ovide..."

Vincent Marie Langlois, le Jeune (d. 1856)

1807 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cephalus and Aurora, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.

Vincent Marie Langlois, le Jeune (d. 1856)

1807 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cephalus and Aurora (#1), from ¦The Poussin Project: A Series of Prints after Nicolas Poussin¦

Leon Kossoff (d. 2019)

1998 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cephalus and Aurora (#2), from ¦The Poussin Project: A Suite of Prints after Nicolas Poussin¦

Leon Kossoff (d. 2019)

1998 · Etching and aquatint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.