
Ingot with Hittite hieroglyphs
Unrecorded maker
ca. 14th–13th century BCE · Silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
354 ms. The Metropolitan Museum of Art, Collection API (Open Access)
323 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 887 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Ingot with Hittite hieroglyphs
Unrecorded maker
ca. 14th–13th century BCE · Silver
Cleared · Public Domain
live
Relief: two servants bearing food and drink
Unrecorded maker
ca. 358–338 BCE · Limestone
Cleared · Public Domain
live
Sarasa with Gilded Floral Pattern
Unrecorded maker
first half of the 18th century · Cotton (painted mordant, dyed) with applied gold leaf
Cleared · Public Domain
live
Ceremonial vessel with animal heads
Unrecorded maker
18th century · Porcelain with yellow glaze (Jingdezhen ware)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perminangken (container for magical substances)
Toba Batak artist
19th–early 20th century · Wood, ceramic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perminangken (container for magical substances)
Toba Batak artist
late 19th–early 20th century · Wood, trade porcelain
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perminangken (container for magical substances)
Toba Batak artist
19th–early 20th century · Wood, trade ceramic, copper/zinc alloy (mouth inlay)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perminangken (container for magical substances)
Toba Batak artist
19th–early 20th century · Wood, trade porcelain
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perminangken (container for magical substances)
Toba Batak artist
19th–early 20th century · Wood, trade ceramic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ceremonial container
Unrecorded maker
mid-20th century · Wood, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ceremonial Lime Container (Bandi Na Iavo)
Unrecorded maker
late 19th–early 20th century · Bamboo, wood, paint, fiber
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lime spatula (Tap)
Unrecorded maker
late 19th–early 20th century · Wood, paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.