
The Circumcision: Small Plate
Rembrandt (Rembrandt van Rijn) (d. 1669)
ca. 1630 · Etching and touches of drypoint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
303 ms. The Metropolitan Museum of Art, Collection API (Open Access)
399 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14,833 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Circumcision: Small Plate
Rembrandt (Rembrandt van Rijn) (d. 1669)
ca. 1630 · Etching and touches of drypoint
Cleared · Public Domain
live
The Crucifixion: Small Plate
Rembrandt (Rembrandt van Rijn) (d. 1669)
ca. 1635 · Etching
Cleared · Public Domain
live
The Country Dance (Small Plate)
Claude Lorrain (Claude Gellée) (d. 1682)
ca. 1637 · Etching; fourth state of seven (Mannocci)
Cleared · Public Domain
live
Small Plate
Unrecorded maker
late 17th–early 18th century · Porcelain with celadon glaze (Arita ware, Kakiemon type)
Cleared · Public Domain
live
Small plate
Worcester factory (d. 2008)
ca. 1760 · Soft-paste porcelain
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ennui (The Small Plate)
Walter Richard Sickert (d. 1942)
1914–15 · Etching and engraving; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sally (The Small Plate)
Walter Richard Sickert (d. 1942)
ca. 1911, published 1915 · Etching; fourth state of four
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Kitty K. (The Small Plate)
Walter Richard Sickert (d. 1942)
1920 · Etching and engraving; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chagford (The Small Plate)
Walter Richard Sickert (d. 1942)
ca. 1916 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jack Ashore (The Small Plate)
Walter Richard Sickert (d. 1942)
1923 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mushrooms (The Small Plate)
Walter Richard Sickert (d. 1942)
ca. 1922 · Etching; first state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Fiddler (The Small Plate)
Walter Richard Sickert (d. 1942)
ca. 1919, published 1929 · Etching; second state
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.