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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    208 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    439 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Chamunda, the Horrific Destroyer of Evil"7 records

Institutions answered newest-first by record, interleaved

Shiva as Vanquisher of the Three Cities (Shiva Tripuravijaya) by an unrecorded maker, The Metropolitan Museum of Art

Shiva as Vanquisher of the Three Cities (Shiva Tripuravijaya)

Unrecorded maker

ca. 1000–1020 · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Chamunda, the Horrific Destroyer of Evil by an unrecorded maker, The Metropolitan Museum of Art

Chamunda, the Horrific Destroyer of Evil

Unrecorded maker

10th–11th century · Sandstone

Cleared · Public Domain

live
The MetSimilar
Martyrdom of the Seven Maccabee Brothers and Their Mother by Dirck Vellert, The Metropolitan Museum of Art

Martyrdom of the Seven Maccabee Brothers and Their Mother

Dirck Vellert (d. 1552)

ca. 1530–35 · Stained glass

Cleared · Public Domain

live
The MetSimilar
The Death of the Demoness Putana: Folio from a Bhagavata Purana Series by an unrecorded maker, The Metropolitan Museum of Art

The Death of the Demoness Putana: Folio from a Bhagavata Purana Series

Unrecorded maker

ca. 1610 · Opaque watercolor and ink paper

Cleared · Public Domain

live
The MetSimilar
Dagger (Katar) by an unrecorded maker, The Metropolitan Museum of Art

Dagger (Katar)

Unrecorded maker

17th–18th century · Steel, silver

Cleared · Public Domain

live
The MetSimilar
Leatherstocking's Rescue by John Quidor, The Metropolitan Museum of Art

Leatherstocking's Rescue

John Quidor (d. 1881)

1832 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Great Fire of Chicago, October 8, 1871

Currier & Ives (d. 1907)

1871 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.