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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    668 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    290 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,367 matching records exist across the two collections.

Results for "Chapel of the Comforter"12 records

Institutions answered newest-first by record, interleaved

Reliefs from the Chapel of the Overseer of the Troops Sehetepibre by an unrecorded maker, The Metropolitan Museum of Art

Reliefs from the Chapel of the Overseer of the Troops Sehetepibre

Unrecorded maker

ca. 1802–1640 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Madonna and Child by Master of the Pellegrini Chapel, The Metropolitan Museum of Art

Madonna and Child

Master of the Pellegrini Chapel (d. 1475)

ca. 1430 · Terracotta, polychromed and gilded

Cleared · Public Domain

live
The MetSimilar
Madonna and Child by Master of the Pellegrini Chapel, The Metropolitan Museum of Art

Madonna and Child

Master of the Pellegrini Chapel (d. 1475)

1400–1450 · Terracotta

Cleared · Public Domain

live
The MetSimilar
The Chapel by Allart van Everdingen, The Metropolitan Museum of Art

The Chapel

Allart van Everdingen (d. 1675)

1675 · Engraving; fourth state four

Cleared · Public Domain

live
The MetSimilar
Newgate Chapel by Thomas Rowlandson, The Metropolitan Museum of Art

Newgate Chapel

Thomas Rowlandson (d. 1827)

1809 · Hand-colored etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Roslyn Chapel by Auguste Edouart, The Metropolitan Museum of Art

Roslyn Chapel

Auguste Edouart (d. 1861)

1832 · Cut paper silhouette, graphite, and brush and brown wash

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Chapel

Anthonie Waterloo (d. 1690)

17th century · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rev. James Struthers of the Relief Chapel, Chapel Street

John Kay (d. 1826)

1801 · Etching and mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seamen's Chapel of the Holy Comforter, for the Hudson River, New York

G. & W. Endicott (d. 1848)

ca. 1847 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Romance of Zion Chapel

Richard Le Gallienne (d. 1947)

1898 · Illustrations: letterpress (relief process)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rosslyn Chapel

Sir David Young Cameron (d. 1945)

1901 · Etching and drypoint; only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Chapel of the Comforter

Walter Pach (d. 1958)

1919 · Etching and aquatint

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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