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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Charioteer"6 records

Institutions answered newest-first by record, interleaved

Fragment from Black-Figure Neck-Amphora (Storage Vessel): Satyr and Horse by an unrecorded maker, The Cleveland Museum of Art

Fragment from Black-Figure Neck-Amphora (Storage Vessel): Satyr and Horse

Unrecorded maker

c. 520–510 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Model Chariot by an unrecorded maker, The Cleveland Museum of Art

Model Chariot

Unrecorded maker

200s–100s BCE · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Koto from the series The Six Arts in Fashionable Guise by Chōbunsai Eishi, The Cleveland Museum of Art

Koto from the series The Six Arts in Fashionable Guise

Chōbunsai Eishi (d. 1829)

c. 1793–96 · Print, Color woodblock print; ink and color on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
A charioteer riding through a rocky landscape with an entourage of footmen and musicians, page from a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614) by Yusuf Ali, The Cleveland Museum of Art

A charioteer riding through a rocky landscape with an entourage of footmen and musicians, page from a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614)

Yusuf Ali

1616–17 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Battle of Ravana and Jatayu, from Chapters 50 and 51 of the Aranya Kanda (Book of the Forest) of Valmiki's Ramayana (Rama’s Journey); folio from the "Burnt" Ramayana by an unrecorded maker, The Cleveland Museum of Art

Battle of Ravana and Jatayu, from Chapters 50 and 51 of the Aranya Kanda (Book of the Forest) of Valmiki's Ramayana (Rama’s Journey); folio from the "Burnt" Ramayana

Unrecorded maker

c. 1605 · Painting, Gum tempera and ink on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ghatotkacha and three demons in his company chase Bhagadatta, from Bhishma-parva (volume six) of a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614) by Fazl, The Cleveland Museum of Art

Ghatotkacha and three demons in his company chase Bhagadatta, from Bhishma-parva (volume six) of a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614)

Fazl

1616–17 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

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3. Seal and export

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