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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    453 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    627 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 33 matching records exist across the two collections.

Results for "Charity personified by a woman with thr"12 records

Institutions answered newest-first by record, interleaved

Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso) by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), The Metropolitan Museum of Art

Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)

Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)

1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)

Cleared · Public Domain

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The MetSimilar
Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini by Maestro delle Storie del Pane, The Metropolitan Museum of Art

Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini

Maestro delle Storie del Pane (d. 1500)

1494? · Tempera on wood

Cleared · Public Domain

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The MetSimilar
Charity personified by a woman with two childen, from "The Virtues" by Marcantonio Raimondi, The Metropolitan Museum of Art

Charity personified by a woman with two childen, from "The Virtues"

Marcantonio Raimondi (d. 1534)

ca. 1515–25 · Engraving

Cleared · Public Domain

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The MetSimilar
Charity personified by  a woman with three children by Anonymous, The Metropolitan Museum of Art

Charity personified by a woman with three children

Anonymous

ca. 1520–40 · Engraving

Cleared · Public Domain

live
The MetSimilar
Charity by Claudius Floris, The Metropolitan Museum of Art

Charity

Claudius Floris

1536–1547/48 · Alabaster, traces of gilding

Cleared · Public Domain

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The MetSimilar
Design for a Knife Handle with Personifications of Charity and Patience by Johann Theodor de Bry, The Metropolitan Museum of Art

Design for a Knife Handle with Personifications of Charity and Patience

Johann Theodor de Bry (d. 1623)

1580–1600 · Engraving and blackwork

Cleared · Public Domain

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The MetSimilar
Design for a Knife Handle with the Personification of Charity by Johann Theodor de Bry, The Metropolitan Museum of Art

Design for a Knife Handle with the Personification of Charity

Johann Theodor de Bry (d. 1623)

1580–1600 · Engraving and blackwork

Cleared · Public Domain

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The MetSimilar
The Triumph of the Word of God, from "Triumph of the Catholic Church" (oil sketch for a painting of the same subject) by Otto van Veen, The Metropolitan Museum of Art

The Triumph of the Word of God, from "Triumph of the Catholic Church" (oil sketch for a painting of the same subject)

Otto van Veen (d. 1629)

ca.1615–20 · Oil on paper, pen and brown ink

Cleared · Public Domain

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The MetSimilar
Apotheosis of Washington by John James Barralet, The Metropolitan Museum of Art

Apotheosis of Washington

John James Barralet (d. 1815)

1800–1802 · Engraving and etching

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Punishment, Personified by a Lame Woman, Siezes a Thief by His Hair, from Proverbi Figurati, plate 38

Giuseppe Maria Mitelli (d. 1718)

1678 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory on the Treaty of Aix-la-Chapelle: George II at center, dressed in classical armor, presenting Peace, a woman carrying a branch to his left, to Great Britain who is followed by a putto holding a shield decorated with the British flag at right; attendants to Great Britain are Liberty, Agriculture, Arts, and Sciences (personified by Mercury and Apollo); attendants to Peace are Plenty, Felicity, Riches, Trade, and Navigation

Gérard Jean-Baptiste Scotin (d. 1755)

1749 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study of a Head

Attilio Piccirilli (d. 1945)

1912–13, cast by 1918 · Bronze

In copyright

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The MetSimilar

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