A painting can be out of copyright and thephotograph of it can still be protected.

Chest with Coats of Arms

Unrecorded maker

early 16th century · Oak, iron mounts; top and base restored

Cushion Cover with Coats of Arms

Unrecorded maker

1600–1650 · Linen, wool, and silk in a slit tapestry weave; Backing: cotton weft-float and silk in slit tapestry weave; Cord edging: wool z ply

Monteith with the Gibbs and Nelthorpe coats of arms

Unrecorded maker

1700 · Engraved glass

Coat of Arms

Mary Ann Thomas (d. 1872)

ca. 1786 · Silk embroidery on silk

Blanket Chest

United Society of Believers in Christ’s Second Appearing (“Shakers”) (d. 9999)

1835–75 · Pine

Compendium with Designs for Coats of Arms and (Islamic) Geometric Patterns

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink designs in a paper binding; most drawings are carefully done over stylus ruled and compass construction.

Five Coats of Arms and a Horizontal Panel; Three Basic Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Six Basic Shapes for Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Six Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Six Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Six Coats of Arms of which One with a Bend

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Two Coats of Arms; One Coat of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Engraving