
Female figure
Ixtlán del Río artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
178 ms. The Metropolitan Museum of Art, Collection API (Open Access)
279 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 72 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Female figure
Ixtlán del Río artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
live
Male figure
Ixtlán del Río artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
live
Seated female figure
Nayarit artist(s)
100–400 CE · Ceramic, slip
Cleared · Public Domain
live
Seated male figure
Nayarit artist(s)
100–400 CE · Ceramic, slip
Cleared · Public Domain
live
'De Cascade van Galathea, aan de West-zyde van de Groote Tuin', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Carel Allard (d. 1709)
n.d. · Color engraving (à la poupée)
Cleared · Public Domain
live
Shiva Carries the Corpse of Sati
Unrecorded maker
ca. 1865–75 · Ink, opaque watercolor, and silver paint on paper
Cleared · Public Domain
live
Sora Ngoni (Simbingo)
Unrecorded maker
19th century · Gourd, skin, wood, leather
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lilac Clematis (Atragene Occidentalis)
Margaret Neilson Armstrong (d. 1944)
July 1909 · Watercolor and brown ink over graphite, with page design indicated in graphite, and details in ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Walter McGrail in "Where the North Begins" from Scenes from Movies Exhibit Cards series (W404)
Unrecorded maker
ca. 1923 · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chicago - Where the West Begins
Gerald Geerlings (d. 1998)
1932 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Climax in Steel
Morris Gurrie (d. 1974)
1920s–30s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
NSA-Tapped Fiber Optic Cable Landing Site, Keawaula, Hawaii, United States
Trevor Paglen (d. 9999)
2016 · Inkjet print; mixed media on inkjet print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.