
News of the Stag from the series known as the Hunters' Chase
Mortlake Tapestry Manufactory (d. 1703)
designed before 1645, woven ca. 1645–75 · Wool (15-16 warps per inch, 6-7 per cm.)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
493 ms. The Metropolitan Museum of Art, Collection API (Open Access)
311 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,776 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

News of the Stag from the series known as the Hunters' Chase
Mortlake Tapestry Manufactory (d. 1703)
designed before 1645, woven ca. 1645–75 · Wool (15-16 warps per inch, 6-7 per cm.)
Cleared · Public Domain
live
Dining room from Kirtlington Park
John Sanderson (d. 1774)
1748 · Wood, plaster, marble
Cleared · Public Domain
live
Chimneypiece from the Tapestry Room from Croome Court
Joseph Wilton (d. 1803)
1760 · Marble, lapis lazuli
Cleared · Public Domain
live
Dining room from Lansdowne House
Robert Adam (d. 1792)
1766–69 · Wood, plaster, stone
Cleared · Public Domain
live
Tapestry Room from Croome Court
Robert Adam (d. 1792)
1763–71 · Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)
Cleared · Public Domain
live
Woodwork and ceiling from the Tapestry Room from Croome Court
Robert Adam (d. 1792)
ca. 1760–69 · Plaster, wood, tapestry
Cleared · Public Domain
live
Chimneypiece
Unrecorded maker
ca. 1770 · Carrara marble
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Tapestry Room]
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Tapestry Room]
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
From the Tapestry Room
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tapestry Room
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chimneypiece
Lucien Lévy-Dhurmer (d. 1953)
1910–14 · Walnut, copper, iron, marble, stone
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.