Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
125 ms. The Metropolitan Museum of Art, Collection API (Open Access)
336 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger (d. 1546)
1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Choir stalls elevation, from "Plans, Profils et Elevations des plus belles Chaise de Coeur de Paris" (Plans, Profiles and Elevations of the most beautiful choir stalls in Paris)
Jean II Leblond (d. 1709)
ca. 1688 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Choir stalls elevation, from "Plans, Profils et Elevations des plus belles Chaise de Coeur de Paris" (Plans, Profiles and Elevations of the most beautiful choir stalls in Paris)
Jean II Leblond (d. 1709)
ca. 1688 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Choir stalls perspective, from "Plans, Profils et Elevations des plus belles Chaise de Coeur de Paris" (Plans, Profiles and Elevations of the most beautiful choir stalls in Paris)
Jean II Leblond (d. 1709)
ca. 1688 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Choir stalls plan, from "Plans, Profils et Elevations des plus belles Chaise de Coeur de Paris" (Plans, Profiles and Elevations of the most beautiful choir stalls in Paris)
Jean II Leblond (d. 1709)
ca. 1688 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Choir stalls profile and elevation, from "Plans, Profils et Elevations des plus belles Chaise de Coeur de Paris" (Plans, Profiles and Elevations of the most beautiful choir stalls in Paris)
Jean II Leblond (d. 1709)
ca. 1688 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.