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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    218 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    286 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "Christ, the Good Shepherd, Carrying Chil"12 records

Institutions answered newest-first by record, interleaved

Adoration of the Magi by an unrecorded maker, The Metropolitan Museum of Art

Adoration of the Magi

Unrecorded maker

ca. 1510–20 · Marble

Cleared · Public Domain

live
The MetSimilar
The Adoration of the Shepherds by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

The Adoration of the Shepherds

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1524–27 · Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper

Cleared · Public Domain

live
The MetSimilar
Parable of the Good Shepherd by Philips Galle, The Metropolitan Museum of Art

Parable of the Good Shepherd

Philips Galle (d. 1612)

1565 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Parable of the Good Shepherd by Anonymous, Netherlandish, late 16th century, The Metropolitan Museum of Art

The Parable of the Good Shepherd

Anonymous, Netherlandish, late 16th century (d. 1600)

ca. 1570 · Etching printed on two horizontal sheets

Cleared · Public Domain

live
The MetSimilar
Christ as the Good Shepherd by Anonymous, Netherlandish, 17th century, The Metropolitan Museum of Art

Christ as the Good Shepherd

Anonymous, Netherlandish, 17th century (d. 1700)

after 1652 · Engraving

Cleared · Public Domain

live
The MetSimilar
Christ, the Good Shepherd, Carrying Child by an unrecorded maker, The Metropolitan Museum of Art

Christ, the Good Shepherd, Carrying Child

Unrecorded maker

17th century · Alabaster, traces of polychromy

Cleared · Public Domain

live
The MetSimilar
Design for a Monumental Altar, plate B from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen" by Johann Michael Leüchte, The Metropolitan Museum of Art

Design for a Monumental Altar, plate B from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen"

Johann Michael Leüchte

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Good Shepherd by an unrecorded maker, The Metropolitan Museum of Art

Good Shepherd

Unrecorded maker

17th–18th century · Ivory, with traces of gilding and polychromy

Cleared · Public Domain

live
The MetSimilar
The Good Shepherd (The Parables of Our Lord and Saviour Jesus Christ) by Sir John Everett Millais, The Metropolitan Museum of Art

The Good Shepherd (The Parables of Our Lord and Saviour Jesus Christ)

Sir John Everett Millais (d. 1896)

1864 · Wood engraving; proof

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Christ as the Good Shepherd Leading Sheep into Celestial Jerusalem

Hans Bol (d. 1593)

1575–76 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Christ as the Good Shepherd

Hieronymus (Jerome) Wierix (d. 1619)

16th century · Engraving; second state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Christ as the Good Shepherd

Jonas Umbach (d. 1693)

1640–93 · Etching

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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