
Terracotta rim fragments of a kylix (drinking cup)
Unrecorded maker
460–450 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
158 ms. The Metropolitan Museum of Art, Collection API (Open Access)
345 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 383 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta rim fragments of a kylix (drinking cup)
Unrecorded maker
460–450 BCE · Terracotta
Cleared · Public Domain
live
Hanging Lamp with a Hand Holding a Cross
Unrecorded maker
made 500–700, restored and possibly reconfigured 1900s · Copper alloy
Cleared · Public Domain
live
The Healing of the Blind Man and the Raising of Lazarus
Unrecorded maker
first half 12th century (possibly 1129–34) · Fresco transferred to canvas
Cleared · Public Domain
live
Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso)
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–27 · Pen and brown ink, brush and gray-brown wash, over traces of leadpoint and some stylus ruling (recto); printed Jupiter enthroned with attendant eagle (verso)
Cleared · Public Domain
live
Christ and the Two Thieves Crucified
Michelangelo Buonarroti (d. 1564)
ca. 1560–70 · Bronze
Cleared · Public Domain
live
Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso)
Peter Paul Rubens (d. 1640)
ca. 1601–02 (recto); ca. 1601 (verso) · Pen and brown ink, over black chalk
Cleared · Public Domain
live
Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso)
Guercino (Giovanni Francesco Barbieri) (d. 1666)
1621 · Red chalk on blue paper
Cleared · Public Domain
live
Christ bearing the cross
Ferdinando Tacca (d. 1686)
mid-17th century · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ Healing the Man Whose Right Arm Was Withered, plate 7 from "The Miracles of Christ"
Jan (Johannes) Wierix (d. 1615)
1585 · Engraving; first state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Waking Up the Wrong Passenger: "I say old man! Keep your hooks out of my trousers."
Thomas B. Worth (d. 1917)
1875 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Waking Up the Wrong Passenger: "I Say Old Man! Keep Your Hooks Out of My Trousers."
Thomas B. Worth (d. 1917)
1875 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Man at the Café
Juan Gris (d. 1927)
Paris, winter–spring 1914 · Oil and newsprint collage on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.