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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    158 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    345 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 383 matching records exist across the two collections.

Results for "Christ Healing the Man Whose Right Arm"12 records

Institutions answered newest-first by record, interleaved

Terracotta rim fragments of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta rim fragments of a kylix (drinking cup)

Unrecorded maker

460–450 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Hanging Lamp with a Hand Holding a Cross by an unrecorded maker, The Metropolitan Museum of Art

Hanging Lamp with a Hand Holding a Cross

Unrecorded maker

made 500–700, restored and possibly reconfigured 1900s · Copper alloy

Cleared · Public Domain

live
The MetSimilar
The Healing of the Blind Man and the Raising of Lazarus by an unrecorded maker, The Metropolitan Museum of Art

The Healing of the Blind Man and the Raising of Lazarus

Unrecorded maker

first half 12th century (possibly 1129–34) · Fresco transferred to canvas

Cleared · Public Domain

live
The MetSimilar
Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso) by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso)

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1524–27 · Pen and brown ink, brush and gray-brown wash, over traces of leadpoint and some stylus ruling (recto); printed Jupiter enthroned with attendant eagle (verso)

Cleared · Public Domain

live
The MetSimilar
Christ and the Two Thieves Crucified by Michelangelo Buonarroti, The Metropolitan Museum of Art

Christ and the Two Thieves Crucified

Michelangelo Buonarroti (d. 1564)

ca. 1560–70 · Bronze

Cleared · Public Domain

live
The MetSimilar
Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso) by Peter Paul Rubens, The Metropolitan Museum of Art

Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso)

Peter Paul Rubens (d. 1640)

ca. 1601–02 (recto); ca. 1601 (verso) · Pen and brown ink, over black chalk

Cleared · Public Domain

live
The MetSimilar
Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso) by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso)

Guercino (Giovanni Francesco Barbieri) (d. 1666)

1621 · Red chalk on blue paper

Cleared · Public Domain

live
The MetSimilar
Christ bearing the cross by Ferdinando Tacca, The Metropolitan Museum of Art

Christ bearing the cross

Ferdinando Tacca (d. 1686)

mid-17th century · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Christ Healing the Man Whose Right Arm Was Withered, plate 7 from "The Miracles of Christ"

Jan (Johannes) Wierix (d. 1615)

1585 · Engraving; first state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Waking Up the Wrong Passenger: "I say old man! Keep your hooks out of my trousers."

Thomas B. Worth (d. 1917)

1875 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Waking Up the Wrong Passenger: "I Say Old Man! Keep Your Hooks Out of My Trousers."

Thomas B. Worth (d. 1917)

1875 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Man at the Café

Juan Gris (d. 1927)

Paris, winter–spring 1914 · Oil and newsprint collage on canvas

In copyright

live
The MetSimilar

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