Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    834 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    293 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 73 matching records exist across the two collections.

Results for "Christ Saying Farewell to His Mother (on"12 records

Institutions answered newest-first by record, interleaved

Saint Paul with a Donor; Christ Appearing to His Mother by Master of the Saint Ursula Legend, The Metropolitan Museum of Art

Saint Paul with a Donor; Christ Appearing to His Mother

Master of the Saint Ursula Legend (d. 1499)

ca. 1485 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Christ Appearing to His Mother by Juan de Flandes, The Metropolitan Museum of Art

Christ Appearing to His Mother

Juan de Flandes (d. 1519)

ca. 1496 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Christ Taking Leave of His Mother by Gerard David, The Metropolitan Museum of Art

Christ Taking Leave of His Mother

Gerard David (d. 1523)

ca. 1500 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
The Flagellation and Christ Meeting His Mother on the Road to Golgotha (from Scenes from the Passion of Christ) by an unrecorded maker, The Metropolitan Museum of Art

The Flagellation and Christ Meeting His Mother on the Road to Golgotha (from Scenes from the Passion of Christ)

Unrecorded maker

early 16th century · Stone

Cleared · Public Domain

live
The MetSimilar
Christ Saying Farewell to His Mother (one of seven) by Jean II Pénicaud, The Metropolitan Museum of Art

Christ Saying Farewell to His Mother (one of seven)

Jean II Pénicaud (d. 1554)

mid-16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
The Agony in the Garden (one of seven) by Jean II Pénicaud, The Metropolitan Museum of Art

The Agony in the Garden (one of seven)

Jean II Pénicaud (d. 1554)

mid-16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
The Ascension of Christ (one of seven) by Jean II Pénicaud, The Metropolitan Museum of Art

The Ascension of Christ (one of seven)

Jean II Pénicaud (d. 1554)

mid-16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
The Betrayal (one of seven) by Jean II Pénicaud, The Metropolitan Museum of Art

The Betrayal (one of seven)

Jean II Pénicaud (d. 1554)

mid-16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
The Crucifixion (one of seven) by Jean II Pénicaud, The Metropolitan Museum of Art

The Crucifixion (one of seven)

Jean II Pénicaud (d. 1554)

mid-16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
The Last Supper (one of seven) by Jean II Pénicaud, The Metropolitan Museum of Art

The Last Supper (one of seven)

Jean II Pénicaud (d. 1554)

mid-16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
The Resurrection (one of seven) by Jean II Pénicaud, The Metropolitan Museum of Art

The Resurrection (one of seven)

Jean II Pénicaud (d. 1554)

mid-16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
The Affectionate Farewell, or Kick for Kick by Thomas Rowlandson, The Metropolitan Museum of Art

The Affectionate Farewell, or Kick for Kick

Thomas Rowlandson (d. 1827)

April 17, 1814 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.