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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    326 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    380 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 28 matching records exist across the two collections.

Results for "Christ Taken Captive, from "The Large Pa"12 records

Institutions answered newest-first by record, interleaved

Terracotta oil lamp by an unrecorded maker, The Metropolitan Museum of Art

Terracotta oil lamp

Unrecorded maker

3rd–4th century CE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by Claus de Werve, The Metropolitan Museum of Art

Virgin and Child

Claus de Werve (d. 1439)

ca. 1415–19 · Limestone with paint and gilding

Cleared · Public Domain

live
The MetSimilar
Christ at the Column by Delli brothers, The Metropolitan Museum of Art

Christ at the Column

Delli brothers (d. 1469)

ca. 1440–70 · Pen with brown and black carbon ink, brush with gray wash, watercolor, and gouache on parchment; inscriptions in brown ink of a different type

Cleared · Public Domain

live
The MetSimilar
The Betrayal of Christ, (Christ Taken Captive), from the Circular Passion by Lucas van Leyden, The Metropolitan Museum of Art

The Betrayal of Christ, (Christ Taken Captive), from the Circular Passion

Lucas van Leyden (d. 1533)

1509 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Adoration of the Shepherds by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

The Adoration of the Shepherds

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1524–27 · Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper

Cleared · Public Domain

live
The MetSimilar
The Triumph of Poverty (one of a series) by an unrecorded maker, The Metropolitan Museum of Art

The Triumph of Poverty (one of a series)

Unrecorded maker

last quarter 16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Wedding medallion by an unrecorded maker, The Metropolitan Museum of Art

Wedding medallion

Unrecorded maker

17th century · Silver, parcel-gilt

Cleared · Public Domain

live
The MetSimilar
Christ and the Woman of Samaria by Benedetto Luti, The Metropolitan Museum of Art

Christ and the Woman of Samaria

Benedetto Luti (d. 1724)

1715–20 · Oil on copper

Cleared · Public Domain

live
The MetSimilar
Rama Releases the Demon Spies Shuka and Sarana: Folio from the Siege of Lanka series by Manaku, The Metropolitan Museum of Art

Rama Releases the Demon Spies Shuka and Sarana: Folio from the Siege of Lanka series

Manaku (d. 1770)

ca. 1725 · Opaque watercolor, ink and gold on paper

Cleared · Public Domain

live
The MetSimilar
Evening dress by Wechsler & Abraham, The Metropolitan Museum of Art

Evening dress

Wechsler & Abraham

ca. 1880 · silk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Christ Taken Captive, from "The Large Passion"

Jacob Cornelisz van Oostsanen (d. 1533)

1512 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Christ Taken Captive, from "The Passion"

Sebald Beham (d. 1550)

1535 · Woodcut

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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