
Panel with Christ and the Woman Taken in Adultery
Unrecorded maker
early 16th century · Oak
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
349 ms. The Metropolitan Museum of Art, Collection API (Open Access)
294 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 257 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Panel with Christ and the Woman Taken in Adultery
Unrecorded maker
early 16th century · Oak
Cleared · Public Domain
live
Christ and the Woman Taken in Adultery
Pieter Perret (d. 1639)
1579 · Engraving; second state of two
Cleared · Public Domain
live
Christ and the woman taken in adultery
Diana Scultori (d. 1588)
1575 (republished 1613) · Engraving
Cleared · Public Domain
live
Christ and the Woman Taken in Adultery
Belisario Corenzio (d. 1646)
1590–1646 · Brush and blue wash, over slignt traces of black chalk
Cleared · Public Domain
live
Christ and the woman taken in adultery
Giuseppe Camerata II (d. 1803)
1750–57 · Etching and engraving
Cleared · Public Domain
live
Christ and the Woman Taken in Adultery
François Boucher (d. 1770)
1770 · Black and white pastel, with stumping
Cleared · Public Domain
live
Christ and the Woman Taken in Adultery
Unrecorded maker
19th century · Stained glass
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ and the Woman Taken in Adultery
Paolo Maupin (d. 1635)
ca. 1625 · Woodcut on blue paper with white gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ and the woman taken in adultery
Diana Scultori (d. 1588)
1575 (republished 1633) · Engraving; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ and the woman taken in adultery
Franz Cleyn (d. 1658)
1620–45 · Etching on vellum
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ and the woman taken in adultery
Pietro Anderloni (d. 1800)
1821 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ and the Woman Taken in Adultery
Vasilii Dmitrievich Polenov (d. 1927)
1884 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.