Plaque with Scenes at Emmaus
Unrecorded maker
ca. 850–900 · Elephant ivory
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
779 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
318 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 278 matching records exist across the two collections.
Results for "Christ appearing before his disciples (P"12 records
Institutions answered newest-first by record, interleaved
Diptych with Scenes from the Passion of Jesus
Unrecorded maker
ca. 1350–75 · Elephant ivory with metal mounts
Cleared · Public Domain
liveThe MetSimilar
The Agony in the Garden
Raphael (Raffaello Sanzio or Santi) (d. 1520)
ca. 1504 · Oil on wood
Cleared · Public Domain
liveThe MetSimilar
Madonna and Child with Saints Francis and Jerome
Francesco Francia (d. 1517)
ca. 1512–15 · Oil and gold on wood
Cleared · Public Domain
liveThe MetSimilar
The Resurrected Christ Appearing to Mary Magdelene in the Garden
Unrecorded maker
ca. 1500–1520 · Wool warp; wool, silk, and gilt wefts
Cleared · Public Domain
liveThe MetSimilar
The Last Supper
Bernard van Orley (d. 1542)
ca. 1525–28 · Wool, silk, silver-gilt thread.
Cleared · Public Domain
liveThe MetSimilar
Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere")
Jacopo Bassano (Jacopo da Ponte) (d. 1592)
ca. 1560 · Brush and brown wash, highlighted with white gouache, over traces of black chalk
Cleared · Public Domain
liveThe MetSimilar
Christ and the Two Thieves Crucified
Michelangelo Buonarroti (d. 1564)
ca. 1560–70 · Bronze
Cleared · Public Domain
liveThe MetSimilar
The Angel Appearing to the Shepherds
Rembrandt (Rembrandt van Rijn) (d. 1669)
1634 · Etching and drypoint; third state of three
Cleared · Public Domain
liveThe MetSimilar
Corpus from a Crucifix
Nymphenburg Porcelain Manufactory (d. 9999)
ca. 1755 · Hard-paste porcelain
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ appearing before his disciples (Pasce oves meas)
Nicolas Beatrizet (d. 1566)
ca. 1530–60 · Engraving (trimmed top and bottom)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-Portrait Looking at The Last Supper
Marisol (d. 2016)
1982–84 · Wood, plywood, stone, plaster, aluminum, dye, charcoal
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.