
Textile Fragment
Unrecorded maker
5th–7th century · Wool, linen; plain weave, tapestry weave
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
229 ms. The Metropolitan Museum of Art, Collection API (Open Access)
286 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 20 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Textile Fragment
Unrecorded maker
5th–7th century · Wool, linen; plain weave, tapestry weave
Cleared · Public Domain
live
Parable of the Good Shepherd
Philips Galle (d. 1612)
1565 · Engraving
Cleared · Public Domain
live
The Parable of the Good Shepherd
Anonymous, Netherlandish, late 16th century (d. 1600)
ca. 1570 · Etching printed on two horizontal sheets
Cleared · Public Domain
live
Christ as the Good Shepherd
Anonymous, Netherlandish, 17th century (d. 1700)
after 1652 · Engraving
Cleared · Public Domain
live
Design for a Monumental Altar, plate B from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen"
Johann Michael Leüchte
printed ca. 1750–56 · Etching
Cleared · Public Domain
live
Good Shepherd
Unrecorded maker
17th–18th century · Ivory, with traces of gilding and polychromy
Cleared · Public Domain
live
The Good Shepherd (The Parables of Our Lord and Saviour Jesus Christ)
Sir John Everett Millais (d. 1896)
1864 · Wood engraving; proof
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ as the Good Shepherd Leading Sheep into Celestial Jerusalem
Hans Bol (d. 1593)
1575–76 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ as the Good Shepherd
Hieronymus (Jerome) Wierix (d. 1619)
16th century · Engraving; second state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ as the Good Shepherd
Jonas Umbach (d. 1693)
1640–93 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Parables of Our Lord and Saviour Jesus Christ
Sir John Everett Millais (d. 1896)
1864 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Parables of Our Lord and Saviour Jesus Christ
Sir John Everett Millais (d. 1896)
1864 · Illustrations: wood engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.