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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    4449 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    572 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 45 matching records exist across the two collections.

Results for "Christ fallen to the ground under the we"12 records

Institutions answered newest-first by record, interleaved

Funerary Stele with Two Lions and Circle Pattern within a Niche by an unrecorded maker, The Metropolitan Museum of Art

Funerary Stele with Two Lions and Circle Pattern within a Niche

Unrecorded maker

7th–8th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Saint Christopher and the Infant Christ by Domenico Ghirlandaio (Domenico Bigordi), The Metropolitan Museum of Art

Saint Christopher and the Infant Christ

Domenico Ghirlandaio (Domenico Bigordi) (d. 1494)

1494 · Fresco

Cleared · Public Domain

live
The MetSimilar
Christ Bearing the Cross by Nicolaos Tzafouris, The Metropolitan Museum of Art

Christ Bearing the Cross

Nicolaos Tzafouris (d. 1501)

1500 · Oil and tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter by Bernard van Orley, The Metropolitan Museum of Art

The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter

Bernard van Orley (d. 1542)

ca. 1515 · Wool, silk (16-20 warps per inch, 6-8 per cm.)

Cleared · Public Domain

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The MetSimilar
Christ falling on the road to Calvary, from two plates by Giovanni Battista Fontana, The Metropolitan Museum of Art

Christ falling on the road to Calvary, from two plates

Giovanni Battista Fontana (d. 1587)

ca 1560–73 (re-published 1584) · Etching and engraving

Cleared · Public Domain

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The MetSimilar
St. John the Baptist Preaching by Gerrit Pietersz. Sweelink, The Metropolitan Museum of Art

St. John the Baptist Preaching

Gerrit Pietersz. Sweelink (d. 1612)

1593 · Etching; fifth state of six

Cleared · Public Domain

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The MetSimilar
The Rest on the Flight into Egypt by Gerrit Pietersz. Sweelink, The Metropolitan Museum of Art

The Rest on the Flight into Egypt

Gerrit Pietersz. Sweelink (d. 1612)

1593 · Etching; second state of two

Cleared · Public Domain

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The MetSimilar
The Rest on the Flight into Egypt by Gerrit Pietersz. Sweelink, The Metropolitan Museum of Art

The Rest on the Flight into Egypt

Gerrit Pietersz. Sweelink (d. 1612)

1593 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Landscape with the Rest on the Flight into Egypt by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

Landscape with the Rest on the Flight into Egypt

Claude Lorrain (Claude Gellée) (d. 1682)

ca. 1635 · Pen and brown ink, over black chalk

Cleared · Public Domain

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The MetSimilar
Jesus taken by Wenceslaus Hollar, The Metropolitan Museum of Art

Jesus taken

Wenceslaus Hollar (d. 1677)

1644–52 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
Christ fallen to the ground under the weight of the cross, with two men assisting and Saint Veronica kneeling with the veil at left by Simon de la Vallée, The Metropolitan Museum of Art

Christ fallen to the ground under the weight of the cross, with two men assisting and Saint Veronica kneeling with the veil at left

Simon de la Vallée (d. 1700)

ca. 1729 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye) by Thomas Girtin, The Metropolitan Museum of Art

The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye)

Thomas Girtin (d. 1802)

1803 · Soft-ground etching and aquatint

Cleared · Public Domain

live
The MetSimilar

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