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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    223 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    264 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Christ kneeling and washing St Peter's f"12 records

Institutions answered newest-first by record, interleaved

Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso) by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso)

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1524–27 · Pen and brown ink, brush and gray-brown wash, over traces of leadpoint and some stylus ruling (recto); printed Jupiter enthroned with attendant eagle (verso)

Cleared · Public Domain

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The MetSimilar
Christ kneeling and washing St Peter's feet, from "The Passion of Christ" by Marcantonio Raimondi, The Metropolitan Museum of Art

Christ kneeling and washing St Peter's feet, from "The Passion of Christ"

Marcantonio Raimondi (d. 1534)

ca. 1500–34 · Engraving; third state of three

Cleared · Public Domain

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The MetSimilar
Paradise by Federico Zuccaro (Zuccari), The Metropolitan Museum of Art

Paradise

Federico Zuccaro (Zuccari) (d. 1609)

1565–77 · Pen and brown ink, brush and brown wash, watercolor, gouache, highlighted with white gouache, left and central sections squared in red chalk, on three sheets of brown paper, joined vertically. A piece of brown paper with figures of Christ, the Virgin, and St. John the Baptist, measuring 14.0 x 24.0 cm., has been affixed at the center of the drawing.

Cleared · Public Domain

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The MetSimilar
Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso) by Annibale Carracci, The Metropolitan Museum of Art

Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso)

Annibale Carracci (d. 1609)

1583–85 · Red chalk with white chalk highlights, pen and brown ink (recto); red chalk (verso)

Cleared · Public Domain

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The MetSimilar
Christ Preaching by Federico Zuccaro (Zuccari), The Metropolitan Museum of Art

Christ Preaching

Federico Zuccaro (Zuccari) (d. 1609)

16th century · Pen and brown ink, brush and brown wash, on brownish paper

Cleared · Public Domain

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The MetSimilar
Figure Studies: Standing and Kneeling Clerics and Religious, Adam and Eve, and a Reclining Skeleton by Francesco Vanni, The Metropolitan Museum of Art

Figure Studies: Standing and Kneeling Clerics and Religious, Adam and Eve, and a Reclining Skeleton

Francesco Vanni (d. 1610)

ca. 1602 · Pen and brown ink, brush and brown wash, black chalk

Cleared · Public Domain

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The MetSimilar
The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants by Federico Zuccaro (Zuccari), The Metropolitan Museum of Art

The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants

Federico Zuccaro (Zuccari) (d. 1609)

1540/41–1609 · Pen and brown ink, brush and brown wash, over traces of red chalk (recto); black chalk sketch of a nude male torso (verso)

Cleared · Public Domain

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The MetSimilar
The Discovery of the True Cross by Bernardo Strozzi, The Metropolitan Museum of Art

The Discovery of the True Cross

Bernardo Strozzi (d. 1644)

1599–1644 · Pen and brown ink, over leadpoint or black chalk; framing lines in pen and darker brown ink

Cleared · Public Domain

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The MetSimilar
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica

Pietro da Cortona (Pietro Berrettini) (d. 1669)

1652 · Black chalk, brush with brown and gray wash, highlighted with white gouache, on three sheets of brownish paper glued with overlapping joints

Cleared · Public Domain

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The MetSimilar
The Vision of Saint William of Aquitaine by Giovanni Angelo Canini, The Metropolitan Museum of Art

The Vision of Saint William of Aquitaine

Giovanni Angelo Canini (d. 1666)

late 1650s · Brush and brown wash, highlighted with white gouache, over black chalk, on brown-washed paper

Cleared · Public Domain

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The MetSimilar
Saint Cajetan of Thiene Holding the Infant Jesus by Gaetano Gherardo Zompini, The Metropolitan Museum of Art

Saint Cajetan of Thiene Holding the Infant Jesus

Gaetano Gherardo Zompini (d. 1778)

1730–40 · Pen and brown ink, brush and gray wash; framing lines in pen and gray ink

Cleared · Public Domain

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The MetSimilar
The Holy Family Appearing to St. Francis, St. Augustine, and St. Roch by Charles Joseph Natoire, The Metropolitan Museum of Art

The Holy Family Appearing to St. Francis, St. Augustine, and St. Roch

Charles Joseph Natoire (d. 1777)

18th century · Pen and brown ink, brush and brown wash, heightened with white over black chalk.

Cleared · Public Domain

live
The MetSimilar

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