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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    228 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    325 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 325 matching records exist across the two collections.

Results for "Christ on the cross between the two thie"12 records

Institutions answered newest-first by record, interleaved

Christ on the Cross between the Virgin and Saint John by Albrecht Dürer, The Metropolitan Museum of Art

Christ on the Cross between the Virgin and Saint John

Albrecht Dürer (d. 1528)

1516 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Christ on the Cross between the Virgin and Saint John by Albrecht Dürer, The Metropolitan Museum of Art

Christ on the Cross between the Virgin and Saint John

Albrecht Dürer (d. 1528)

1516 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Christ on the Cross Between the Virgin and Moses by Hans Burgkmair, The Metropolitan Museum of Art

Christ on the Cross Between the Virgin and Moses

Hans Burgkmair (d. 1531)

1531 · Woodcut and letterpress

Cleared · Public Domain

live
The MetSimilar
Christ Carrying the Cross, from "The Passion of Christ" by Hendrick Goltzius, The Metropolitan Museum of Art

Christ Carrying the Cross, from "The Passion of Christ"

Hendrick Goltzius (d. 1617)

1596–98 · Engraving

Cleared · Public Domain

live
The MetSimilar
Christ Carrying the Cross, from "The Passion of Christ" by Hendrick Goltzius, The Metropolitan Museum of Art

Christ Carrying the Cross, from "The Passion of Christ"

Hendrick Goltzius (d. 1617)

1596–98 · Engraving

Cleared · Public Domain

live
The MetSimilar
Christ on the Cross, from "The Passion of Christ" by Hendrick Goltzius, The Metropolitan Museum of Art

Christ on the Cross, from "The Passion of Christ"

Hendrick Goltzius (d. 1617)

1596–98 · Engraving

Cleared · Public Domain

live
The MetSimilar
Christ on the Cross, from "The Passion of Christ" by Hendrick Goltzius, The Metropolitan Museum of Art

Christ on the Cross, from "The Passion of Christ"

Hendrick Goltzius (d. 1617)

1596–98 · Engraving

Cleared · Public Domain

live
The MetSimilar
Christ on the Cross between Two Thieves by Philips Galle, The Metropolitan Museum of Art

Christ on the Cross between Two Thieves

Philips Galle (d. 1612)

n.d. · Engraving

Cleared · Public Domain

live
The MetSimilar
Christ on the cross between the two thieves by Anonymous, The Metropolitan Museum of Art

Christ on the cross between the two thieves

Anonymous

ca. 1631 · Engraving; fourth state of four (?)

Cleared · Public Domain

live
The MetSimilar
Christ on the Cross Between Mary and Saint John by Johann Christophorus Storer, The Metropolitan Museum of Art

Christ on the Cross Between Mary and Saint John

Johann Christophorus Storer (d. 1671)

1620–71 · Pen and black ink, brush and brown wash, heightened with white over black chalk.

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Christ on the Cross

Jan (Gerritsz.) van Bronchorst (d. 1665)

ca. 1636–1661 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Christ on the Cross

Lucas Vorsterman I (d. 1675)

1625–75 · Engraving; first state of two

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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