Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    559 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    401 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 99 matching records exist across the two collections.

Results for "Christ standing at left addressing the W"11 records

Institutions answered newest-first by record, interleaved

Christ standing at left addressing the Woman of Samaria at right who is standing by a well, lagoon in the background by Giulio Campagnola, The Metropolitan Museum of Art

Christ standing at left addressing the Woman of Samaria at right who is standing by a well, lagoon in the background

Giulio Campagnola (d. 1515)

ca. 1510–12 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Virgin holding the Christ Child, St Anne standing above with arms outstretched, St Elizabeth at the left by Marcantonio Raimondi, The Metropolitan Museum of Art

The Virgin holding the Christ Child, St Anne standing above with arms outstretched, St Elizabeth at the left

Marcantonio Raimondi (d. 1534)

ca. 1520 · Engraving

Cleared · Public Domain

live
The MetSimilar
Christ standing at the right healing the lepers before him (left section of the print) by Andrea Schiavone (Andrea Meldola), The Metropolitan Museum of Art

Christ standing at the right healing the lepers before him (left section of the print)

Andrea Schiavone (Andrea Meldola) (d. 1563)

ca. 1545 · Etching

Cleared · Public Domain

live
The MetSimilar
Christ on the Cross by Heinrich Aldegrever, The Metropolitan Museum of Art

Christ on the Cross

Heinrich Aldegrever (d. 1561)

1553 · Engraving

Cleared · Public Domain

live
The MetSimilar
Christ presented to the people by Pilate, standing atop stairs at left with a crowd at right by Matthaeus Greuter, The Metropolitan Museum of Art

Christ presented to the people by Pilate, standing atop stairs at left with a crowd at right

Matthaeus Greuter (d. 1638)

1586 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Intercession of the Virgin, kneeling on a cloud at right before Christ, standing at left holding the cross by Egbert Van Panderen, The Metropolitan Museum of Art

The Intercession of the Virgin, kneeling on a cloud at right before Christ, standing at left holding the cross

Egbert Van Panderen (d. 1637)

ca. 1610–37 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Raising of Lazarus, with Christ standing at left by Simon de la Vallée, The Metropolitan Museum of Art

The Raising of Lazarus, with Christ standing at left

Simon de la Vallée (d. 1700)

ca. 1729 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
The Raising of Lazarus, with Christ standing at left by Simon de la Vallée, The Metropolitan Museum of Art

The Raising of Lazarus, with Christ standing at left

Simon de la Vallée (d. 1700)

ca. 1729 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground) by Giovanni Domenico Tiepolo, The Metropolitan Museum of Art

The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground)

Giovanni Domenico Tiepolo (d. 1804)

ca. 1770–90 · Pen and brown ink, light brown wash

Cleared · Public Domain

live
The MetSimilar
Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right by Stefano Mulinari, The Metropolitan Museum of Art

Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right

Stefano Mulinari (d. 1795)

ca. 1761–90 · Etching with sulphur tone printed in brown

Cleared · Public Domain

live
The MetSimilar
The Virgin suckling the infant Christ, the young Saint John the Baptist standing at left, after Reni by Mauro Gandolfi, The Metropolitan Museum of Art

The Virgin suckling the infant Christ, the young Saint John the Baptist standing at left, after Reni

Mauro Gandolfi (d. 1834)

1812 · Engraving

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.