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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    331 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    341 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 561 matching records exist across the two collections.

Results for "Christ standing before an entrance to a"12 records

Institutions answered newest-first by record, interleaved

Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister) by an unrecorded maker, The Metropolitan Museum of Art

Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister)

Unrecorded maker

late 12th–early 13th century · Limestone

Cleared · Public Domain

live
The MetSimilar
The Baptism of Christ by an unrecorded maker, The Metropolitan Museum of Art

The Baptism of Christ

Unrecorded maker

ca. 1390 · Pot-metal and colorless glass, vitreous paint and silver stain

Cleared · Public Domain

live
The MetSimilar
Bifolium with Christ in Majesty in an Initial A, from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Bifolium with Christ in Majesty in an Initial A, from an Antiphonary

Unrecorded maker

ca. 1405 · Tempera, gold, and ink on parchment

Cleared · Public Domain

live
The MetSimilar
Saint Michael Presenting a Donor to Christ as Salvator Mundi by Southern Netherlands, The Metropolitan Museum of Art

Saint Michael Presenting a Donor to Christ as Salvator Mundi

Southern Netherlands

ca. 1400–1410 · Tempera and gold leaf on parchment

Cleared · Public Domain

live
The MetSimilar
The Descent into Limbo by Andrea Mantegna, The Metropolitan Museum of Art

The Descent into Limbo

Andrea Mantegna (d. 1506)

mid-15th century · Pen and brown ink, brown wash

Cleared · Public Domain

live
The MetSimilar
Christ and the Adulteress by Lucas Cranach the Younger and Workshop, The Metropolitan Museum of Art

Christ and the Adulteress

Lucas Cranach the Younger and Workshop (d. 1586)

ca. 1545–50 · Oil on beech

Cleared · Public Domain

live
The MetSimilar
Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere") by Jacopo Bassano (Jacopo da Ponte), The Metropolitan Museum of Art

Christ Appearing to Saint Mary Magdalen ("Noli Me Tangere")

Jacopo Bassano (Jacopo da Ponte) (d. 1592)

ca. 1560 · Brush and brown wash, highlighted with white gouache, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Christ Preaching by Federico Zuccaro (Zuccari), The Metropolitan Museum of Art

Christ Preaching

Federico Zuccaro (Zuccari) (d. 1609)

16th century · Pen and brown ink, brush and brown wash, on brownish paper

Cleared · Public Domain

live
The MetSimilar
Woman Kneeling before a Standing Man, and Supplicant Kneeling before an Enthroned Male Figure by Francesco Curia, The Metropolitan Museum of Art

Woman Kneeling before a Standing Man, and Supplicant Kneeling before an Enthroned Male Figure

Francesco Curia (d. 1608)

1565–1608 · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Trees by an entrance to a park by Theodosius Forrest, The Metropolitan Museum of Art

Trees by an entrance to a park

Theodosius Forrest (d. 1784)

1760–75 · Graphite, brush and green and ochre wash or watercolor

Cleared · Public Domain

live
The MetSimilar
Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right by Stefano Mulinari, The Metropolitan Museum of Art

Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right

Stefano Mulinari (d. 1795)

ca. 1761–90 · Etching with sulphur tone printed in brown

Cleared · Public Domain

live
The MetSimilar
Standing cup by Jean-Valentin Morel, The Metropolitan Museum of Art

Standing cup

Jean-Valentin Morel (d. 1860)

1850–51 · Rock crystal, silver gilt, enamel, pearls

Cleared · Public Domain

live
The MetSimilar

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