
Two Nudes Seen from Below (recto); Male Figure with Upraised Arm (verso)
Pomarancio (Cristoforo Roncalli) (d. 1626)
1580–82 · Red chalk (recto and verso); squared in red chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
214 ms. The Metropolitan Museum of Art, Collection API (Open Access)
365 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Two Nudes Seen from Below (recto); Male Figure with Upraised Arm (verso)
Pomarancio (Cristoforo Roncalli) (d. 1626)
1580–82 · Red chalk (recto and verso); squared in red chalk
Cleared · Public Domain
live
Virgin and Child, and Saint John the Baptist (recto); Summary sketches, possibly the Virgin and Child (verso)
Jacob de Backer (d. 1600)
ca. 1580–90 · Brown and black oil with white heightening (recto); black chalk (verso)
Cleared · Public Domain
live
The Holy Family with Angels
Pomarancio (Cristoforo Roncalli) (d. 1626)
1603–5 · Black chalk highlighted with white chalk on blue paper
Cleared · Public Domain
live
Sapphira Punished by Death, plate 5 from Les Tableaux de Rome, Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee)
Jacques Callot (d. 1635)
1607–11 · Engraving; second state of three (Lieure)
Cleared · Public Domain
live
Christoforo Roncalli, called Pomerancio, a bust-length portrait in a twelve-sided frame
Ottavio Leoni (Il Padovano) (d. 1630)
1623 · Etching and engraving
Cleared · Public Domain
live
Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso)
Pomarancio (Cristoforo Roncalli) (d. 1626)
1553–1626 · Pen and brown ink, brush and brown wash, over black chalk (recto); red and black chalk, pen and brown ink, brush and brown wash, on (verso); squared in black chalk
Cleared · Public Domain
live
Design for a Reredos or Frame and Setting for an Altar Painting
Pomarancio (Cristoforo Roncalli) (d. 1626)
1552–1626 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Flying Angel
Pomarancio (Cristoforo Roncalli) (d. 1626)
1553–1626 · Red and some black chalk; squared in red chalk
Cleared · Public Domain
live
God the Father
Pomarancio (Cristoforo Roncalli) (d. 1626)
1553–1626 · Red chalk; squared in red chalk
Cleared · Public Domain
live
Study for Lower Part of Torso and Legs of a Young Boy
Pomarancio (Cristoforo Roncalli) (d. 1626)
1568–1640 · Black chalk, traces of red chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Cristoforo Roncalli (Pomarancio) turned left
Ottavio Leoni (Il Padovano) (d. 1630)
1623 · Engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Cristoforo Roncalli (Pomarancio) turned left
Ottavio Leoni (Il Padovano) (d. 1630)
1623 · Engraving and etching
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.