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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    1368 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    509 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 28 matching records exist across the two collections.

Results for "Church Seal"12 records

Institutions answered newest-first by record, interleaved

Fragment with an Interlace Medalion Bordered by Vine Leaves by an unrecorded maker, The Metropolitan Museum of Art

Fragment with an Interlace Medalion Bordered by Vine Leaves

Unrecorded maker

3rd–6th century · Wool, linen; plain weave, tapestry weave

Cleared · Public Domain

live
The MetSimilar
Ceremonial Cross of Count Liudolf by an unrecorded maker, The Cleveland Museum of Art

Ceremonial Cross of Count Liudolf

Unrecorded maker

shortly after 1038 · Metalwork, gold: worked in repoussé; cloisonné enamel; intaglio gems; pearls; wood core

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rock Crystal Cone Seal by an unrecorded maker, The Metropolitan Museum of Art

Rock Crystal Cone Seal

Unrecorded maker

6th–7th century · Rock crystal, silver

Cleared · Public Domain

live
The MetSimilar
Evangelist Saint Mark writing the Gospel with his symbol, the Lion, holding a scroll by an unrecorded maker, The Metropolitan Museum of Art

Evangelist Saint Mark writing the Gospel with his symbol, the Lion, holding a scroll

Unrecorded maker

11th century · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Panel with Byzantine Ivory Carving of the Crucifixion by an unrecorded maker, The Metropolitan Museum of Art

Panel with Byzantine Ivory Carving of the Crucifixion

Unrecorded maker

10th century (ivory); late 11th century (setting) · Gilded silver on wood backing, inset with sapphire, glass, and crystal

Cleared · Public Domain

live
The MetSimilar
Tile by an unrecorded maker, The Metropolitan Museum of Art

Tile

Unrecorded maker

9th–12th century · Gold Glass

Cleared · Public Domain

live
The MetSimilar
Bifolium with the Decretals of Gratian by Master Honore, The Metropolitan Museum of Art

Bifolium with the Decretals of Gratian

Master Honore

ca. 1290 · Tempera and gold on parchment, brown ink; modern leather binding

Cleared · Public Domain

live
The MetSimilar
Gold Signet Ring of Michael Zorianos by an unrecorded maker, The Metropolitan Museum of Art

Gold Signet Ring of Michael Zorianos

Unrecorded maker

ca. 1300 · Gold

Cleared · Public Domain

live
The MetSimilar
Cloudy Mountains by Fang Congyi, The Metropolitan Museum of Art

Cloudy Mountains

Fang Congyi (d. 1399)

ca. 1360–70 · Handscroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Wedding medallion by an unrecorded maker, The Metropolitan Museum of Art

Wedding medallion

Unrecorded maker

17th century · Silver, parcel-gilt

Cleared · Public Domain

live
The MetSimilar
Jérusalem, croix en argent ciselé, donnée par Louis XIII à l'Eglise du Saint Sépulcre by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, croix en argent ciselé, donnée par Louis XIII à l'Eglise du Saint Sépulcre

Auguste Salzmann (d. 1872)

1854 · Salted paper prints from paper negative

Cleared · Public Domain

live
The MetSimilar
Jérusalem, Enceinte du Temple, Vue générale de la face Est, Pl. 2 by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Enceinte du Temple, Vue générale de la face Est, Pl. 2

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.