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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    482 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    371 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,060 matching records exist across the two collections.

Results for "Church for Sale"12 records

Institutions answered newest-first by record, interleaved

Loffice de Noël, 1768 by Catholic Church, The Metropolitan Museum of Art

Loffice de Noël, 1768

Catholic Church

1768

Cleared · Public Domain

live
The MetSimilar
Heart of the Andes by Frederic Edwin Church, The Metropolitan Museum of Art

Heart of the Andes

Frederic Edwin Church (d. 1900)

1859 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Goods for Sale by Utagawa (Gountei) Sadahide, The Metropolitan Museum of Art

Goods for Sale

Utagawa (Gountei) Sadahide (d. 1873)

3rd month, 1860 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Parthenon by Frederic Edwin Church, The Metropolitan Museum of Art

The Parthenon

Frederic Edwin Church (d. 1900)

1871 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Birthday Book for Children

Lucy Elizabeth Drummond Sale-Barker (d. 1892)

ca. 1901 · Color wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Stained Glass Window in Mr. Seldon's Showroom

Alfred Sale Watson (d. 1950)

1900–1910 · Pen and black ink and watercolor with gum arabic or varnish

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dressing for Church

Walter Richard Sickert (d. 1942)

ca. 1911 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

For Sale Here

Anonymous, American, 20th century (d. 1999)

ca. 1917 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Sensible Move. Our Marine Artist Utilizes the Sea Serpent for Her Summer Sketching Trip

Frederick Stuart Church (d. 1924)

19th–20th century · Pen and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Saints for Sale]

Berenice Abbott (d. 1991)

1932 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

House for Sale

William Wegman (d. 9999)

1976–77 · Single-channel digital video, transferred from 3/4-inch U-matic video tape, color, sound, 40 sec.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Church for Sale

Patrick Oliphant (d. 9999)

2002 · Pen, ink, and watercolor; inscription in pencil

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.