
Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs (d. 1575)
ca. 1520 · Bronze, partially oil-gilt
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
262 ms. The Metropolitan Museum of Art, Collection API (Open Access)
358 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs (d. 1575)
ca. 1520 · Bronze, partially oil-gilt
Cleared · Public Domain
live
Church of the Ascension, Canal Street, New York
Michael Williams (d. 1900)
ca. 1829 · Lithograph
Cleared · Public Domain
live![[View Down Brattle Street from the Southworth & Hawes Studio at 5 1/2 Tremont Row, Boston] by Southworth and Hawes, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP260865.jpg)
[View Down Brattle Street from the Southworth & Hawes Studio at 5 1/2 Tremont Row, Boston]
Southworth and Hawes (d. 1863)
1855 · Daguerreotype
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Picturesque America, or the Land We Live In, A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes...with Illustrations on Steel and Wood by Eminent American Artists
William Cullen Bryant (d. 1878)
1872 · Illustrations: steel engraving and wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Alphonsus Church, New York, South Fifth Avenue near Canal
Francis G. Himpler (d. 1916)
1872 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Coal & Iron Exchange, Delaware & Hudson Canal Company, New York
James N. Allen (d. 1876)
1876 · Steel engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Lette Eisenhauer Ascending Ladder in "The Courtyard," a Happening by Allan Kaprow, New York City]
Lawrence N. Shustak (d. 2003)
1962 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Lette Eisenhauer Descending from Giant "Mountain" Construction, After Performance of "The Courtyard," A Happening by Allan Kaprow, New York City]
Lawrence N. Shustak (d. 2003)
1962 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[William Mahin, Lette Eisenhauer, and Charles Simon Atop Giant "Mountain" Construction in "The Courtyard," A Happening by Allan Kaprow, New York City]
Lawrence N. Shustak (d. 2003)
1962 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.