
Church of the Saviour (First Unitarian Congregational), Brooklyn
Ezra Bisbee (d. 1856)
1845 · Hand colored lithograph
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
111 ms. The Metropolitan Museum of Art, Collection API (Open Access)
334 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 85 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Church of the Saviour (First Unitarian Congregational), Brooklyn
Ezra Bisbee (d. 1856)
1845 · Hand colored lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Second Congregational (Unitarian) Church, New York
Anthony Imbert (d. 1850)
1826 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Second Unitarian Church (New York?)
Alexander Jackson Davis (d. 1892)
ca. 1830 · Pen and ink and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Interior View of the Floating Church of Our Saviour for Seamen, New York
Louis Nagel (d. 1870)
1844 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Church of the Saviour, First Unitarian Congregational, Brooklyn, New York
Ezra Bisbee (d. 1856)
1845 · Hand colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fairest Flower so Palely Drooping – Greenwood Cemetery Entrance to the Grounds of the Church of Our Saviour (Sheet music cover)
Charles Currier (d. 1887)
1847 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chancel, First Presbyterian Church, Lake Forest, Illinois
Louis C. Tiffany (d. 1933)
1902 · Transparent and opaque watercolor, ink and graphite on collage of translucent paper and gelatin silver print and collage of paper mounted on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Clustered Columns, First Presbyterian Church, Poughkeepsie, New York
Louis C. Tiffany (d. 1933)
1906-08 · Watercolor and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chancel wall for First Reformed Church, Albany, NY
Louis C. Tiffany (d. 1933)
1910 · Watercolor, pen and ink, aluminum wash, and graphite on wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for panel of "Te Deum" Mosaic Triptych. First Methodist Episcopal Church, Los Angeles, California
Louis C. Tiffany (d. 1933)
ca. 1921 · Transparent and opaque watercolor, and graphite on paper, squared in pencil
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.