Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1060 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 712 matching records exist across the two collections.

Results for "Cimon seated against a column at right,"12 records

Institutions answered newest-first by record, interleaved

Terracotta rim fragment of a kylix (drinking cup) by Briseis Painter, The Metropolitan Museum of Art

Terracotta rim fragment of a kylix (drinking cup)

Briseis Painter

480–470 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta rim fragment of a kylix (drinking cup) by Boot Painter, The Metropolitan Museum of Art

Terracotta rim fragment of a kylix (drinking cup)

Boot Painter

480–470 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta column-krater (bowl for mixing wine and water) by Group of Boston 00.348, The Metropolitan Museum of Art

Terracotta column-krater (bowl for mixing wine and water)

Group of Boston 00.348

ca. 360–350 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Column by Maya artist(s), The Metropolitan Museum of Art

Column

Maya artist(s)

800–900 CE · Limestone, pigment

Cleared · Public Domain

live
The MetSimilar
Cimon and Pero Flanked by Two Tritons by Sebald Beham, The Metropolitan Museum of Art

Cimon and Pero Flanked by Two Tritons

Sebald Beham (d. 1550)

1518–30 · Etching

Cleared · Public Domain

live
The MetSimilar
A satyr and a ram attacking each other, the satyr weilding a club with his right hand, a shield resting against a small column at center, buildings in the background by Marco Dente, The Metropolitan Museum of Art

A satyr and a ram attacking each other, the satyr weilding a club with his right hand, a shield resting against a small column at center, buildings in the background

Marco Dente (d. 1527)

ca. 1515–27 · Engraving

Cleared · Public Domain

live
The MetSimilar
A satyr and a ram attacking each other, the satyr weilding a club with his right hand, a shield resting against a small column at center, buildings in the background by Marco Dente, The Metropolitan Museum of Art

A satyr and a ram attacking each other, the satyr weilding a club with his right hand, a shield resting against a small column at center, buildings in the background

Marco Dente (d. 1527)

ca. 1515–27 · Engraving

Cleared · Public Domain

live
The MetSimilar
Cimon seated against a column at right, suckling from Pero who is kneeling next to him by Sebald Beham, The Metropolitan Museum of Art

Cimon seated against a column at right, suckling from Pero who is kneeling next to him

Sebald Beham (d. 1550)

1544 · Engraving; second of three states

Cleared · Public Domain

live
The MetSimilar
Pendant Design with Mars Seated Beneath an Arch by Jan Collaert I, The Metropolitan Museum of Art

Pendant Design with Mars Seated Beneath an Arch

Jan Collaert I (d. 1581)

after 1581 · Engraving; second state of two (New Hollstein)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Virgin and Child seated in front of a building, a fallen column at the right

Anonymous, Italian (d. 2050)

1530–1560 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wilton album, folio 99: Saint Jerome seated and sleeping against a rock, a skull, crucifix, and open book at right, two putti and a lion at left

Lorenzo Loli (d. 1691)

ca. 1630–90 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled, #313 [Woman Seated on Chair]

Seydou Keïta (d. 2001)

1956–57 · Gelatin silver print, 2001

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.