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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    601 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    313 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 21 matching records exist across the two collections.

Results for "Circular Altar with Hermes and Pallas At"12 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Unrecorded maker

second quarter of the 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragments of a skyphos (deep drinking cup) by Triptolemos Painter, The Metropolitan Museum of Art

Terracotta fragments of a skyphos (deep drinking cup)

Triptolemos Painter

490–480 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta mold for a relief applique by an unrecorded maker, The Metropolitan Museum of Art

Terracotta mold for a relief applique

Unrecorded maker

1st century BCE–1st century CE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Circular Box (Pyxis) with the Women at Jesus' Tomb by an unrecorded maker, The Metropolitan Museum of Art

Circular Box (Pyxis) with the Women at Jesus' Tomb

Unrecorded maker

500s · Elephant ivory with metalwork and paint

Cleared · Public Domain

live
The MetSimilar
Sacrifice to Priapus by Cristoforo di Geremia, The Metropolitan Museum of Art

Sacrifice to Priapus

Cristoforo di Geremia (d. 1476)

model ca. 1470 (possibly cast 16th century) · Copper alloy with dull brown patina.

Cleared · Public Domain

live
The MetSimilar
Altar to the Sun Warrior by Mexico Nahua artist(s), The Metropolitan Museum of Art

Altar to the Sun Warrior

Mexico Nahua artist(s)

1450-1521 CE · Stone

Cleared · Public Domain

live
The MetSimilar
Classical Gods, Muses, and Allegorical Figures by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), The Metropolitan Museum of Art

Classical Gods, Muses, and Allegorical Figures

Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (d. 1580)

1566–67 · Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue paper; circular framing outline in compass point and brown ink

Cleared · Public Domain

live
The MetSimilar
Four classical figures (pagan sacrifice) by Wenceslaus Hollar, The Metropolitan Museum of Art

Four classical figures (pagan sacrifice)

Wenceslaus Hollar (d. 1677)

1638 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
Four classical figures (pagan sacrifice) by Wenceslaus Hollar, The Metropolitan Museum of Art

Four classical figures (pagan sacrifice)

Wenceslaus Hollar (d. 1677)

1638 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
Four Classical Figures (pagan sacrifice) by Wenceslaus Hollar, The Metropolitan Museum of Art

Four Classical Figures (pagan sacrifice)

Wenceslaus Hollar (d. 1677)

1638 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
Cope by an unrecorded maker, The Metropolitan Museum of Art

Cope

Unrecorded maker

ca. 1650–1700 · Dyed silk, silver-wrapped metal threads, silver lancé

Cleared · Public Domain

live
The MetSimilar
Ùrhọ̀tọ̀ (altar tableau) with an iyọ́bà (queen mother) and attendants by Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, The Metropolitan Museum of Art

Ùrhọ̀tọ̀ (altar tableau) with an iyọ́bà (queen mother) and attendants

Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

18th century · Brass

Cleared · Public Domain

live
The MetSimilar

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