
Spout-and-bridge bottle with owl head
Virú artist(s)
150 BCE–500 CE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
368 ms. The Metropolitan Museum of Art, Collection API (Open Access)
432 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 83 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Spout-and-bridge bottle with owl head
Virú artist(s)
150 BCE–500 CE · Ceramic
Cleared · Public Domain
live
Miniature female effigy
Inca artist(s)
1400–1535 CE · Gold-silver alloy
Cleared · Public Domain
live
Miniature male effigy
Inca artist(s)
1400–1535 CE · Gold-silver alloy
Cleared · Public Domain
live
Tupu (pin)
Inca artist(s)
1400–1535 CE · Copper alloy
Cleared · Public Domain
live
'Otua fefine (deity figure)
Ha'apai Islands artist
Early 19th century · Whale ivory
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Renaissance-style statuette group of Victory of Virtue over Vice
Unrecorded maker
19th or early 20th century · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Boho na bwete (face of the ancestor)
Mahongwe-Kota artist
1879–early 20th century · Wood, copper alloy sheet, copper alloy sheet-wire filaments, copper-alloy wire, iron and copper-alloy nails
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mbulu ngulu (image of the dead)
Obamba-Kota artist
late 19th–early 20th century · Wood, brass sheets, brass and copper sheet-wire filaments, bone, brass nails, iron nails
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Circus Group No. 3, Trapese Artist
Arthur George Murphy (d. 1991)
1935–43 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Snake Pendant
Baule or Lagoon artist
19th–mid-20th century · Gold
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Manuel y Mary Julia Series No. 3
Manuel Neri (d. 2021)
1977 · Charcoal, pastel and wash on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Canal Street Canal No. 3
Matthew Buckingham (d. 9999)
2002 · Chromogenic print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.