
Bronze sestertius of Trajan
Unrecorded maker
103–111 CE · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
240 ms. The Metropolitan Museum of Art, Collection API (Open Access)
559 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 19 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bronze sestertius of Trajan
Unrecorded maker
103–111 CE · Bronze
Cleared · Public Domain
live
Portable Reliquary Case
Unrecorded maker
ca. 1400 · leather (cuir bouilli), boiled and tooled, traces of gilding
Cleared · Public Domain
live
Portable Reliquary of Saint Vincent
Unrecorded maker
ca. 1400, with later terminals · Translucent enamels on silver, wood
Cleared · Public Domain
live
Seated Nude Young Man in Nearly Frontal View
Guercino (Giovanni Francesco Barbieri) (d. 1666)
ca. 1618 · Modified black chalk (dipped in a gum solution), traces of white gouache highlights, on light brown paper
Cleared · Public Domain
live
The Holy Family with Two Angels
Alessandro Algardi (d. 1654)
1598–1654 · Black chalk; framing outlines in pen and dark brown ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Citizen M C. Browne, Delegate from the Shefflied & Lees Constitutional Society to the British Convention
John Kay (d. 1826)
1794 · Etching and stipple
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Broadway, New York with Park View at Center
Tallis & Co. (d. 1863)
1854 · Steel engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
William Biscombe Gardner (d. 1919)
1876–80 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Page, Volume 2
Edward Gordon Craig (d. 1966)
1899 · Illustrations: woodcuts, some hand-colored
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.