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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1479 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    329 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 25 matching records exist across the two collections.

Results for "Clear View on a Crisp Autumn Day"12 records

Institutions answered newest-first by record, interleaved

Landscape of the four seasons by Unidentified artist, The Metropolitan Museum of Art

Landscape of the four seasons

Unidentified artist

15th century · Handscroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Eight Views of Xiao and Xiang by Iwasa Matabei (Iwasa Matabē) 岩佐又兵衛, The Metropolitan Museum of Art

Eight Views of Xiao and Xiang

Iwasa Matabei (Iwasa Matabē) 岩佐又兵衛 (d. 1650)

ca. 1640s · Diptych of hanging scrolls; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Landscape in the Style of Juran and Yan Wengui by Wang Hui, The Metropolitan Museum of Art

Landscape in the Style of Juran and Yan Wengui

Wang Hui (d. 1717)

Dated 1713 · Handscroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Pirna: The Obertor from the South by Bernardo Bellotto, The Metropolitan Museum of Art

Pirna: The Obertor from the South

Bernardo Bellotto (d. 1780)

mid-1750s · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Persimmon Tree by Sakai Hōitsu, The Metropolitan Museum of Art

Persimmon Tree

Sakai Hōitsu (d. 1828)

1816 · Two-panel folding screen; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Bun’ya no Asayasu (no. 36), from the series  A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu) by Utagawa Kunisada, The Metropolitan Museum of Art

Bun’ya no Asayasu (no. 36), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu)

Utagawa Kunisada (d. 1864)

ca. 1844 · Woodblock print (nishiki-e); vertical ōban; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Dye House at Konya-cho, Kanda by Utagawa Hiroshige, The Metropolitan Museum of Art

Dye House at Konya-cho, Kanda

Utagawa Hiroshige (d. 1858)

1857 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior View of the Floating Church of Our Saviour for Seamen, New York

George Endicott, New York (d. 1848)

1844 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Interior View of the Floating Church of Our Saviour for Seamen, New York

Louis Nagel (d. 1870)

1844 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Interior View of the Floating Church of Our Saviour for Seamen, New York

Louis Nagel (d. 1870)

1844 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vaux #2, After Attack

Edward J. Steichen (d. 1973)

1918 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Clear View on a Crisp Autumn Day

Dōmoto Inshō (d. 1975)

1924 · Hanging scroll; ink and color on silk

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.